<?xml version="1.0"?>
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  <title>Planet Creative Commons</title>
  <updated>2008-08-21T02:02:57Z</updated>
  <generator uri="http://intertwingly.net/code/venus/">Venus</generator>
  <author>
    <name>This page aggregates blogs from Creative Commons, &lt;a href="http://creativecommons.org/international/"&gt;CC jurisdiction projects&lt;/a&gt;, and the CC community. Opinions are those of individual bloggers.</name>
  </author>
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  <entry xml:lang="en">
    <id>http://creativecommons.org/?p=8901</id>
    <link href="http://creativecommons.org/weblog/entry/8901" rel="alternate" type="text/html"/>
    <title>Announcing September’s CC Salon NYC</title>
    <summary>After the success of July’s CC Salon NYC, we’re even more excited about inviting you to September’s!
The Open Planning Project has once again generously allowed us to use their loft space in the West Village for the salon and a reception afterward. 
September’s Salon will feature presentations from Rachel Sterne from GroundReport.com, Michael Galpert from  A.viary.com, [...]</summary>
    <content type="xhtml"><div xmlns="http://www.w3.org/1999/xhtml"><p><img alt="CC Salon NYC Logo" class="aligncenter" src="http://wiki.creativecommons.org/images/1/1a/Salon-nyc-white.png"/></p>
<p>After the success of <a href="http://creativecommons.org/weblog/entry/8514">July’s CC Salon NYC</a>, we’re even more excited about inviting you to September’s!</p>
<p><a href="http://topp.openplans.org/project-home">The Open Planning Project</a> has once again generously allowed us to use their loft space in the West Village for the salon and a reception afterward. </p>
<p>September’s Salon will feature presentations from <a href="http://www.groundreport.com">Rachel Sterne from GroundReport.com</a>, <a href="http://a.viary.com">Michael Galpert from  A.viary.com</a>, and a special screening / premier of two new shorts from the <a href="http://www.meerkatmedia.org/">Meerkat Arts Media Collective</a>.</p>
<p>Here are the details:<br/>
<strong><br/>
Tuesday, September 30th, from 7-10pm<br/>
The Open Planing Project<br/>
<a href="http://maps.google.com/maps?q=349+W.+12th+St.++&amp;ie=UTF8&amp;oe=utf-8&amp;client=firefox-a&amp;z=17&amp;iwloc=addr">349 W. 12th St.</a>, 1st Floor<br/>
</strong></p>
<p>We’ll also have free (<a href="http://en.wikipedia.org/wiki/Free_beer">as in beer</a>) beer for the reception afterward.  If you didn’t make it to July’s salon, don’t miss this one, and if you did, <strong>you’ll know to come early as space is limited</strong>. </p>
<p>Follow the event via <a href="http://upcoming.yahoo.com/event/1025469/?ps=7">Upcoming.org</a> and RSVP via the <a href="http://www.new.facebook.com/event.php?eid=31779429809&amp;ref=share">Facebook event</a> or e-mailing me - fred [at] creativecommons.org</p></div>
    </content>
    <updated>2008-08-20T16:12:06Z</updated>
    <category term="Weblog"/>
    <author>
      <name>Fred Benenson</name>
    </author>
    <source>
      <id>http://creativecommons.org</id>
      <link href="http://creativecommons.org/weblog/rss" rel="self" type="application/atom+xml"/>
      <link href="http://creativecommons.org" rel="alternate" type="text/html"/>
      <subtitle>Share, reuse, and remix — legally.</subtitle>
      <title>Creative Commons » CC News</title>
      <updated>2008-08-20T17:40:03Z</updated>
    </source>
  </entry>

  <entry xml:lang="en">
    <id>http://creativecommons.pl/blog/2008/08/opinia-w-sprawie-wydluzenia-okresu-obowiazywania-praw-pokrewnych/</id>
    <link href="http://creativecommons.pl/blog/2008/08/opinia-w-sprawie-wydluzenia-okresu-obowiazywania-praw-pokrewnych/" rel="alternate" type="text/html"/>
    <title>Opinia w sprawie wydłużenia okresu obowiązywania praw pokrewnych</title>
    <summary type="xhtml"><div xmlns="http://www.w3.org/1999/xhtml">ICM UW, jeden z partnerów projektu Creative Commons, zgłosił do Ministerstwa Kultury i Dziedzictwa Narodowego opinię w ramach konsultacji  	 	 	<!-- 		@page { size: 21.59cm 27.94cm; margin: 2cm } 		P { margin-bottom: 0.21cm } 	-->w sprawie wniosku dotyczącego dyrektywy Parlamentu Europejskiego i Rady zmieniającej Dyrektywę 2006/116/EC Parlamentu Europejskiego ...</div>
    </summary>
    <updated>2008-08-20T14:01:17Z</updated>
    <source>
      <id>http://creativecommons.pl</id>
      <author>
        <name>CC Poland</name>
      </author>
      <link href="http://creativecommons.pl" rel="alternate" type="text/html"/>
      <link href="http://creativecommons.pl/wp-rss.php" rel="self" type="application/rss+xml"/>
      <title>Creative Commons Polska</title>
      <updated>2008-08-20T14:01:17Z</updated>
    </source>
  </entry>

  <entry xml:lang="en">
    <id>http://netzpolitik.org/2008/britische-regierung-nutzt-creative-commons/</id>
    <link href="http://netzpolitik.org/2008/britische-regierung-nutzt-creative-commons/" rel="alternate" type="text/html"/>
    <link href="http%3A//creativecommons.org/licenses/by-nc-sa/3.0/de/" rel="license"/>
    <title>Britische Regierung nutzt Creative Commons</title>
    <summary>Die britische Regierung nutzt Creative Commons lizenzierte Werke, beachtet aber die Bedingungen nicht. Über die neue Webseite des Premierministers hatte ich die Tage berichtet. Dort wird ein Wordpress verwendet und beim Theme hat man sich im Netz bedient. Soweit, so gut. Das Theme steht unter der Creative Commons Namensnennung 3.0 Lizenz und lässt selbst eine [...]</summary>
    <content type="xhtml"><div xmlns="http://www.w3.org/1999/xhtml"><p>Die britische Regierung nutzt Creative Commons lizenzierte Werke, beachtet aber die Bedingungen nicht. Über die neue <a href="http://www.number10.gov.uk/meet-the-pm">Webseite des Premierministers</a> hatte ich die <a href="http://netzpolitik.org/2008/neue-webseite-number10govuk/">Tage berichtet</a>. Dort wird ein Wordpress verwendet und beim Theme hat man sich im Netz bedient. Soweit, so gut. <a href="http://antbag.com/themes/">Das Theme</a> steht unter der <a href="http://creativecommons.org/licenses/by-sa/3.0/">Creative Commons Namensnennung 3.0 Lizenz</a> und lässt selbst eine kommerzielle Verwendung und eine Weiterbearbeitung zu. Man hat sich auch die Mühe gemacht, das Theme an die eigenen Anforderungen anzupassen. Allerdings hat man dabei alle Verweise auf den Urheber rausgenommen und erfüllt nicht mehr die Bedingung der Lizenz. Dieses Vorgehen nennt man Copyright-Verletzung. </p>
<p>Aktuell wird ja in Grossbritanien diskutiert, bei Copyright-Verletzungen viel höhere Geldstrafen durchzusetzen. Mal schauen, wie Downingstreet10 jetzt darauf reagiert und das Problem löst.</p>
<p>Mehr gibts bei Torrentfreak: <a href="http://torrentfreak.com/british-government-gets-caught-pirating-website-080820/">British Government Caught Pirating On Prime Minister’s Website.</a></p></div>
    </content>
    <updated>2008-08-20T12:31:18Z</updated>
    <category term="Urheberrecht"/>
    <category term="creative commons"/>
    <category term="uk"/>
    <author>
      <name>markus</name>
    </author>
    <source>
      <id>http://netzpolitik.org</id>
      <link href="http://netzpolitik.org/category/creative-commons/feed" rel="self" type="application/atom+xml"/>
      <link href="http://netzpolitik.org" rel="alternate" type="text/html"/>
      <link href="http%3A//creativecommons.org/licenses/by-nc-sa/3.0/de/" rel="license"/>
      <subtitle>Aktuelle Berichterstattung rund um die politischen Themen der Informationsgesellschaft.</subtitle>
      <title>netzpolitik.org » creative commons</title>
      <updated>2008-08-20T20:40:14Z</updated>
    </source>
  </entry>

  <entry xml:lang="en">
    <id>http://netzpolitik.org/2008/ccnewsletter-8-culture-commons/</id>
    <link href="http://netzpolitik.org/2008/ccnewsletter-8-culture-commons/" rel="alternate" type="text/html"/>
    <link href="http%3A//creativecommons.org/licenses/by-nc-sa/3.0/de/" rel="license"/>
    <title>ccNewsletter #8 - Culture Commons</title>
    <summary>Der "ccNewsletter #8" beschäftigt sich Schwerpunktmässig mit den "Culture Commons". Das PDf-Magazin kann hier heruntergeladen werden.</summary>
    <content type="xhtml"><div xmlns="http://www.w3.org/1999/xhtml"><p>Der <a href="http://creativecommons.org/weblog/entry/8889">“ccNewsletter #8″</a> beschäftigt sich Schwerpunktmässig mit den “Culture Commons”. Das PDf-Magazin kann <a href="http://mirrors.creativecommons.org/newsletter/ccnewsletter8.pdf">hier heruntergeladen werden</a>.</p></div>
    </content>
    <updated>2008-08-20T12:06:09Z</updated>
    <category term="Digitalkultur"/>
    <category term="creative commons"/>
    <category term="Free-Culture"/>
    <category term="Kultur"/>
    <author>
      <name>markus</name>
    </author>
    <source>
      <id>http://netzpolitik.org</id>
      <link href="http://netzpolitik.org/category/creative-commons/feed" rel="self" type="application/atom+xml"/>
      <link href="http://netzpolitik.org" rel="alternate" type="text/html"/>
      <link href="http%3A//creativecommons.org/licenses/by-nc-sa/3.0/de/" rel="license"/>
      <subtitle>Aktuelle Berichterstattung rund um die politischen Themen der Informationsgesellschaft.</subtitle>
      <title>netzpolitik.org » creative commons</title>
      <updated>2008-08-20T20:40:14Z</updated>
    </source>
  </entry>

  <entry xml:lang="sl">
    <id>http://creativecommons.si/233 at http://creativecommons.si</id>
    <link href="http://creativecommons.si/node/233" rel="alternate" type="text/html"/>
    <title>Zelena knjiga "Avtorska pravica in ekonomija znanja" (še en dokument EK)</title>
    <summary type="xhtml"><div xmlns="http://www.w3.org/1999/xhtml"><p>Evropska komisija (EK) je v kontekstu prenove sistema avtorskega prava spisala še en dokument, na katerega zbirajo komentarje in mnenja - t.i. zeleno knjigo “Avtorska pravica in ekonomija znanja”.</p>

<p>S tem dokumentom začenja EK javno razpravo o tem, kako učinkovito širiti znanje s področja znanosti, raziskav in izobraževanja v spletnem okolju. V dokumentu zastavljajo vrsto vprašanj, povezanih z vlogo avtorske pravice v ekonomiji znanja. </p><p><a href="http://creativecommons.si/node/233">preberi več</a></p></div>
    </summary>
    <updated>2008-08-20T11:54:06Z</updated>
    <author>
      <name>spela</name>
    </author>
    <source>
      <id>http://creativecommons.si/blog</id>
      <link href="http://creativecommons.si/blog" rel="alternate" type="text/html"/>
      <link href="http://creativecommons.si/blog/feed/" rel="self" type="application/rss+xml"/>
      <title>Creative Commons Slovenija blogs</title>
      <updated>2008-08-20T18:05:18Z</updated>
    </source>
  </entry>

  <entry xml:lang="en">
    <id>http://creativecommons.org/?p=8889</id>
    <link href="http://creativecommons.org/weblog/entry/8889" rel="alternate" type="text/html"/>
    <title>ccNewsletter #8 - Culture Commons</title>
    <summary>For all of you interested in what CC is currently doing in the culture space — check out this month’s edition of the ccNewsletter. 
The ccNewsletter comes out every two months and is a great way to get up to speed on current CC news, whether you’re already familiar with CC or new to the scene. [...]</summary>
    <content type="xhtml"><div xmlns="http://www.w3.org/1999/xhtml"><p><a href="http://mirrors.creativecommons.org/newsletter/ccnewsletter8.pdf"><img alt="ccNewsletter #8" class="alignright" src="http://wiki.creativecommons.org/images/f/f7/Ccnewsletter8.png"/></a></p>
<p>For all of you interested in what CC is currently doing in the culture space — check out this month’s edition of the <a href="http://mirrors.creativecommons.org/newsletter/ccnewsletter8.pdf">ccNewsletter</a>. </p>
<p>The ccNewsletter comes out every two months and is a great way to get up to speed on current CC news, whether you’re already familiar with CC or new to the scene. I encourage you to check it out and to <a href="http://creativecommons.org/about/newsletter">sign up</a>. </p>
<p>As always, a big shout-out to <a href="http://philippinecommons.org/creative-commons/">CC Philippines</a> for designing the PDF version.</p></div>
    </content>
    <updated>2008-08-19T20:46:36Z</updated>
    <category term="Weblog"/>
    <author>
      <name>Melissa Reeder</name>
    </author>
    <source>
      <id>http://creativecommons.org</id>
      <link href="http://creativecommons.org/weblog/rss" rel="self" type="application/atom+xml"/>
      <link href="http://creativecommons.org" rel="alternate" type="text/html"/>
      <subtitle>Share, reuse, and remix — legally.</subtitle>
      <title>Creative Commons » CC News</title>
      <updated>2008-08-20T17:40:03Z</updated>
    </source>
  </entry>

  <entry xml:lang="en">
    <id>http://creativecommons.org/?p=8885</id>
    <link href="http://creativecommons.org/weblog/entry/8885" rel="alternate" type="text/html"/>
    <title>NSF Task Force on Cyberlearning</title>
    <summary>The National Science Foundation Task Force issued a report late in June on cyberlearning, more specifically on “Fostering Learning in the Networked World: The Cyberlearning Opportunity and Challenge.” It is, in their words, “A 21st Century Agenda for the National Science Foundation” concerning ICT for learning. The report outlines five recommendations for “growth and opportunities [...]</summary>
    <content type="xhtml"><div xmlns="http://www.w3.org/1999/xhtml"><p>The National Science Foundation Task Force issued a report late in June on cyberlearning, more specifically on “<a href="http://www.nsf.gov/pubs/2008/nsf08204/nsf08204.pdf">Fostering Learning in the Networked World: The Cyberlearning Opportunity and Challenge</a>.” It is, in their words, “A 21st Century Agenda for the National Science Foundation” concerning ICT for learning. The report outlines five recommendations for “growth and opportunities for action,” one of which concerns the promotion of open educational resources (OER). According to recommendation #4:</p>
<p>“Materials funded by NSF should be made readily available on the web with permission for unrestricted reuse and recombination. New grant proposals should make their plans clear for both the availability and the sustainability of materials produced by their funded project.”</p>
<p>In the future, ccLearn hopes to see these goals develop into concrete initiatives. The <a href="http://www.nsf.gov/">National Science Foundation</a> has an annual federal budget of $6.06 billion and currently funds 20% of all federally supported research by higher education institutions in the United States.</p></div>
    </content>
    <updated>2008-08-19T16:47:08Z</updated>
    <category term="Weblog"/>
    <category term="ccLearn"/>
    <category term="cyberlearning"/>
    <category term="National Science Foundation"/>
    <category term="report"/>
    <author>
      <name>Jane Park</name>
    </author>
    <source>
      <id>http://creativecommons.org</id>
      <link href="http://creativecommons.org/weblog/rss" rel="self" type="application/atom+xml"/>
      <link href="http://creativecommons.org" rel="alternate" type="text/html"/>
      <subtitle>Share, reuse, and remix — legally.</subtitle>
      <title>Creative Commons » CC News</title>
      <updated>2008-08-20T17:40:03Z</updated>
    </source>
  </entry>

  <entry xml:lang="en">
    <id>http://www.karisma.org.co/carobotero/index.php/2008/08/19/seminario-de-calidad-recursos-educativos-abiertos-oer-por-su-sigla-en-ingles/</id>
    <link href="http://www.karisma.org.co/carobotero/index.php/2008/08/19/seminario-de-calidad-recursos-educativos-abiertos-oer-por-su-sigla-en-ingles/" rel="alternate" type="text/html"/>
    <title>Los Recursos educativos abiertos (OER por su sigla en inglés) en el seminario de calidad del MEN</title>
    <summary>Hoy empieza el III Seminario Internacional de Calidad en la Educación a Distancia- Virtual que realiza el Ministerio de Educación Nacional con el apoyo de la Universidad del Rosario en el Hotel Tequendama. Estaré participando con un conversatorio sobre Derecho de Autor y Creative Commons que he titulado “OER; Recursos Educativos Abiertos- Open Educational Resources” [...]</summary>
    <content type="xhtml"><div xmlns="http://www.w3.org/1999/xhtml"><p>Hoy empieza el <a href="http://www.mineducacion.gov.co/seminarioe-learning//index.htm?success=true">III Seminario Internacional de Calidad en la Educación a Distancia- Virtual</a> que realiza el Ministerio de Educación Nacional con el apoyo de la Universidad del Rosario en el Hotel Tequendama. Estaré participando con un conversatorio sobre Derecho de Autor y Creative Commons que he titulado “OER; Recursos Educativos Abiertos- Open Educational Resources” puesto que pienso que la mejor forma de exponer los dos en la convergencia que el seminario propone (calidad, educación a distancia y educación virtual) es con la explicación y análisis de este concepto en concreto.</p>
<p>Con esta presentación voy a iniciar una idea que tengo desde hace mucho tiempo, pero que no había llevado a la práctica, se trata de publicar en “<a href="http://www.slideshare.net">slideshare</a>” las presentaciones y ver que sucede con esto… bien, <a href="http://www.slideshare.net/carobotero/conversatorio-men-presentation/">acá está el enlace para la presentación</a> que servirá dd guión hoy (4pm) y mañana (2pm), ¡nos vemos!</p></div>
    </content>
    <updated>2008-08-19T12:24:25Z</updated>
    <category term="Acceso Abierto"/>
    <category term="Creative Commons"/>
    <category term="Derecho de autor"/>
    <category term="En la educaci&#xF3;n"/>
    <category term="Evento"/>
    <author>
      <name>carobotero</name>
    </author>
    <source>
      <id>http://www.karisma.org.co/carobotero</id>
      <link href="http://www.karisma.org.co/carobotero" rel="alternate" type="text/html"/>
      <link href="http://feeds.feedburner.com/carobotero" rel="self" type="application/rss+xml"/>
      <subtitle>Ideas de mi viaje por internet en temas de LibreCultura, derecho y nuevas tecnologías. Carta de navegación desde la América Meridional.</subtitle>
      <title>carobotero-co</title>
      <updated>2008-08-19T12:31:27Z</updated>
    </source>
  </entry>

  <entry xml:lang="en">
    <id>http://sciencecommons.org/?p=436</id>
    <link href="http://sciencecommons.org/weblog/archives/2008/08/18/voices-from-the-future-of-science-rufus-pollock-of-the-open-knowledge-foundation/" rel="alternate" type="text/html"/>
    <title>Voices from the future of science: Rufus Pollock of the Open Knowledge Foundation</title>
    <summary>If there’s a single quote that best captures the ethos of open science, it might be the following bon mot from Rufus Pollock, digital rights activist, economist at the University of Cambridge and a founder of the Open Knowledge Foundation: “The best thing to do with your data will be thought of by someone else.”
It’s also a [...]</summary>
    <content type="xhtml"><div xmlns="http://www.w3.org/1999/xhtml"><p>If there’s a single quote that best captures the ethos of open science, it might be the following <em id="vi:e3">bon mot</em> from <a href="http://www.rufuspollock.org/about/" id="vi:e4" target="_blank" title="Rufus Pollock">Rufus Pollock</a>, digital rights activist, economist at the University of Cambridge and a founder of the <a href="http://www.okfn.org/" id="vi:e5" target="_blank" title="Open Knowledge Foundation">Open Knowledge Foundation</a>: “The best thing to do with your data will be thought of by someone else.”</p>
<p>It’s also a pithy way to convey both the challenge and opportunity for publishers of scientific research and data. How can we best capitalize on the lessons from the rise of the Web and open source software to accelerate scientific research? What’s the optimal way to package data so it can be used in ways no one anticipates?</p>
<p>I talked to Pollock, who’s been a driving force behind efforts to improve sharing and reuse of data, about where we stand in developing a common legal, technical and policy infrastructure to make open science happen, and what he thinks the next steps should be.</p>
<p><strong>What strategies and concepts can we use from <a href="http://en.wikipedia.org/wiki/Open_source">open source</a> to foster <a href="http://en.wikipedia.org/wiki/Open_research">open science</a>? Can you give us a big picture description of the role you see the Open Knowledge Foundation playing?</strong></p>
<p>I’d say that in terms of applying lessons from open source, the biggest thing to look at is data. Code and data have so many similarities — indeed, in many ways, the distinction between code and data are beginning to blur. The most important similarity is that both lend themselves naturally to being broken down into smaller chunks, which can then be reused and recombined.</p>
<p>This breaking down into smaller, reusable chunks is something we at the Open Knowledge Foundation <a href="http://blog.okfn.org/2006/05/09/the-four-principles-of-open-knowledge-development/" id="pp2y" title="refer">refer</a> to as “componentization.” You can break down projects, whether they are data sets or software programs, into pieces of a manageable size — after all, the human brain can only handle so much data — and do it in a way that makes it easier to put the pieces back together again. You might call this the Humpty Dumpty principle. And splitting things up means people can work independently on different pieces of a project, while others can work on putting the pieces back together — that’s where “<a href="http://m.okfn.org/files/talks/xtech_2007/" id="b4gq" title="many minds">many minds</a>” come in.</p>
<p>What’s also crucial here is openness: without openness, you have a real problem putting things together. Everyone ends up owning a different piece of Humpty, and it’s a nightmare getting permission to put him back together (to use jargon from economics, you have an anti-commons problem). Similarly, if a data set starts off closed, it’s harder for different people to come along and begin working on bits of it. It’s not impossible to do componentization under a proprietary regime, but it is a lot harder.</p>
<p>With the ability to recombine information as the goal, it’s critical to be explicit about openness — both about what it is, and about what you intend when you make your work available. In the world of software, the key to making open source work is licensing, and I believe the same is true for science. If you want to enable reuse — whether by humans, or more importantly, by machines operated by humans — you’ve got to make it explicit what can be used, and how. That’s why, when we started the Open Knowledge Foundation back in 2004, one of the first things we focused on was defining what “open” meant. That kind of work, along with the associated licensing efforts, can seem rather boring, but it’s absolutely crucial for putting Humpty back together. Implicit openness is not enough.</p>
<p>So, in terms of open science, one of the main things the Open Knowledge Foundation has been doing is conceptual work — for example, providing an explicit definition of openness for data and knowledge in the form of the <a href="http://opendefinition.org/" id="vi:e25" target="_blank" title="defining">open knowledge/data definition</a>, and then explaining to people why it’s important to license their data so it conforms to the definition.</p>
<p>So, to return to the main question, I think one of the strategies we should be taking from open source is its approach to the Humpty Dumpty problem. We should be creating and sharing “packages” of data, using the same principles you see at work in Linux distributions — building a <a href="http://en.wikipedia.org/wiki/Debian" id="vi:e26" target="_blank" title="Debian">Debian</a> of data, if you like. Debian has currently got something like 18,000 software packages, and these are maintained by hundreds, if not thousands, of people — many of whom have never met. We envision the community being able to do the same thing with scientific and other types of data. This way, we can begin to divide and conquer the complexity inherent in the vast amounts of material being produced — complexity I don’t see us being able to manage any other way.</p>
<p><strong>Your Comprehensive Knowledge Archive Network (<a href="http://www.ckan.net/" id="h-:q" title="CKAN">CKAN</a>) is a registry for open knowledge packages and projects, and people have added more than 100 in the past year. Can you tell us how the project got started? What have the <a href="http://blog.okfn.org/2008/07/08/ckan-06-released/" id="vi:e35" target="_blank" title="recent updates">recent updates</a> achieved? And what are your future plans — where do you hope to go next?</strong></p>
<p>If you’ve got an ambitious goal like this one [of radically changing data sharing and production practices], you’ve got to start with a modest approach — asking, “what is the simplest thing we can do that would be useful?” So we began by identifying some of the key things necessary for a knowledge-sharing infrastructure, to figure out what we could contribute. Sometimes what’s needed is conceptual, like our definitions. Sometimes you need a guide for applying concepts, like our <a href="http://blog.okfn.org/2006/05/09/the-four-principles-of-open-knowledge-development/" id="vi:e38" target="_blank" title="principles for open knowledge production">principles for open knowledge development</a>. And you need a way to share resources, which is why we started <a href="http://www.knowledgeforge.net/" id="vi:e39" target="_blank" title="KnowledgeForge">KnowledgeForge</a>, which hosts all kinds of knowledge development projects.</p>
<p>The impetus behind CKAN was to make it easier for people to find open data, as well as to make their data available to others (especially in a way that can be automated). If you use Google to search for data, you’re much more likely to find a page about data than you are to find the data itself. As a scientist, you don’t want to find just one bit of information — you want the whole set. And you don’t want <a href="http://blog.okfn.org/2007/11/07/give-us-the-data-raw-and-give-it-to-us-now/" id="vi:e42" target="_blank" title="shiny front ends">shiny front ends</a> or permission barriers at any point in the process. We’ve been making updates to CKAN so machines can better interact with the data, which makes it so people who want data don’t have to jump as many hurdles to get it. Ultimately, we want people to be able to request data sets and have the software automatically install any additions and updates on their computers.</p>
<p><strong>What are the biggest challenges to making open science work? If you had to lay out a 3-point agenda for the next five years, what would the action items be?</strong></p>
<p>I think that, like with nearly everything else, the social and cultural challenges may be the biggest hurdle. One aspect of making it work is ensuring that more people understand exactly what they can gain from sharing. I think it’s like a snowball:  you might not get much back, initially, from sharing, but over time, you’d be able to see your data sets plugged in with other data sets, and your peers doing the same thing. The results might encourage you to share more.</p>
<p>As for a 3-point agenda:</p>
<p>1.) <a href="http://www.earlham.edu/%7Epeters/fos/overview.htm" id="vi:e52" target="_blank" title="Open access">Open access</a> is very important. In particular, I’d like to see the funders of science mandate not just open access to publications but also, as part of the process, open access to the data. They are paying for the research, so they can provide the incentive to make the results open. Moreover, it should be easier to get open access to the data; you wouldn’t necessarily have the same kind of struggle with publishers.</p>
<p>2.) I think we need more evangelism/advocacy for open science. We’re seeing big shifts in the way we do science, but we’re still on the cusp of a movement to bring open approaches together in a common infrastructure.</p>
<p>3.) We need to make it easier for people to share and manage large data sets. Open science is already working in some respects; <a href="http://arxiv.org/" id="vi:e57" target="_blank" title="arXiv.org">arXiv.org</a> is an extraordinary resource, for instance, but we need a better infrastructure for handling the data itself. I also think that many people are put off sharing because they think they don’t know how to manage data. That causes people to hesitate or give up completely. We need to make the process smoother. Sharing your data should be as frictionless as possible.</p>
<p><strong>What do you see as the most important development in open science over the last year?</strong></p>
<p>Without question, the progress we’re making with data licensing. We have the Science Commons <a href="http://sciencecommons.org/projects/publishing/open-access-data-protocol/" id="vi:e63" target="_blank" title="Protocol for Implementing Open Access Data">Protocol for Implementing Open Access Data</a>, which conforms to the <a href="http://opendefinition.org/" id="vi:e64" target="_blank" title="Open Knowledge Definition">Open Knowledge Definition</a>, and the very first open data licenses that comply with the protocol: the Open Data Commons Public Domain Dedication and License (<a href="http://www.opendatacommons.org/odc-public-domain-dedication-and-licence/" id="vi:e65" target="_blank" title="ODC-PDDL">ODC-PDDL</a>) and the <a href="http://wiki.creativecommons.org/CC0" id="vi:e66" target="_blank" title="CC0">CC0</a> public domain waiver. We now need to encourage people to start using these waivers — or any other open license that complies.</p>
<p><strong> When I talk to people about what the open science movement is trying to achieve, the most common response I get is, “Well, won’t Google take care of that?” Do you hear that? What’s your response?</strong></p>
<p>I would ask, “Well, what is ‘that’?” You find that many people believe that if you put something online, it’s automatically open, and Google will do the rest. Google is great, but it can’t handle things like community standards or usage rights. And in any case, I’m deeply skeptical of “one ring to rule them all” solutions. What we need is more along the lines of “small pieces, loosely joined.” Of course organizations like Google could help a lot (or hurt!), and they’re certainly an important part of the ecosystem. But at the Open Knowledge Foundation, we like to say that the <a href="http://m.okfn.org/files/talks/xtech_2007/" id="vi:e72" target="_blank" title="revolution will be decentralized">revolution will be decentralized</a>. No one person, organization or company is going to do everything. Even Google didn’t make the Web standards or create the web pages and hyperlinks that make search engines work. As it stands, Google may be good for finding bits of Humpty, but not for creating or putting him back together.</p>
<p><strong>Have you read Chris Anderson’s piece, <em id="vi:e78"><a href="http://www.wired.com/science/discoveries/magazine/16-07/pb_theory" id="vi:e79" target="_blank" title="The End of Theory: The Data Deluge Makes the Scientific Method Obsolete">The End of Theory: The Data Deluge Makes the Scientific Method Obsolete</a></em>? If so, what’s your take on it?</strong></p>
<p>I’ll be politic and say that it’s provocative but ultimately unconvincing. There are reasons why we have theory. Imagine a library where you could have any book you want, but there are no rules for searching, so you have to search every book. The knowledge space is just too vast. In economics, just like in science, you need models to isolate the variables you’re interested in. There may be millions of variables, for instance, to explain why you’re a happy person right now. You had a happy childhood, you just listened to a symphony, etc. And the number of possible explanations (or, more formally, “regressions”) grows exponentially with the variables, so you’re creating a situation that’s computationally hard — problems that, using brute force, would take longer than the lifetime of the universe to solve, even with the fastest supercomputers around.</p>
<p>I’d argue that with more data, you need more, not less modeling insight. As the haystack grows, finding the needle by brute force is likely to be a less attractive, not more attractive option. Of course it’s true that more data and more computational power are a massive help in making progress in science or any other area. It’s just that they have to be used intelligently.</p>
<p><strong>On a more personal note, how does being an economist inform your approach/perspective?</strong></p>
<p>Economists study information goods a lot, so I’d say my background has been very influential. Economics 101 tells us that openness is often the most efficient way to do things, especially when there’s the possibility of up-front funding by, for instance, the government. There are clear, massive benefits for society in having a healthy, balanced information commons. Unfortunately, it is often the case that those who benefit from proprietarization have better-paid advocates, better-oiled PR machines, etc.</p>
<p>My hope is that this work that so many of us are doing <em id="cer8">pro bono</em>, often in our spare time, will slowly increase in impact — and that, at a minimum, we can ensure that all publicly funded scientific research will be open.</p>
<p>#<br/>
Previous posts in this series:</p>
<ul>
<li id="m8az6"><a href="http://sciencecommons.org/weblog/archives/2008/06/03/voices-from-the-future-of-science-lorrie-lejeune-from-openwetware/" id="fyhe" title="Voices from the future of science: Lorrie LeJeune of OpenWetWare">Voices from the future of science: Lorrie LeJeune from OpenWetWare</a> <br id="m8az7"/></li>
<li id="m8az8"><a href="http://sciencecommons.org/weblog/archives/2008/04/28/a-wellcome-future-for-science/" id="m8az9">A Wellcome future for science</a></li>
<li id="m8az10"><a href="http://www.sciencecommons.org/weblog/archives/2008/04/02/voices-from-the-future-of-science/" id="m8az11">Voices from the future of science</a></li>
</ul></div>
    </content>
    <updated>2008-08-18T19:16:27Z</updated>
    <category term="weblog"/>
    <author>
      <name>dwentworth</name>
    </author>
    <source>
      <id>http://sciencecommons.org</id>
      <link href="http://sciencecommons.org/feed/" rel="self" type="application/atom+xml"/>
      <link href="http://sciencecommons.org" rel="alternate" type="text/html"/>
      <title>Science Commons</title>
      <updated>2008-08-18T19:22:13Z</updated>
    </source>
  </entry>

  <entry xml:lang="en">
    <id>http://www.creativecommons.cl/?p=205</id>
    <link href="http://www.creativecommons.cl/2008/08/18/valdivia-habla-de-la-banda-sonora-cc-de-199-recetas-para-ser-feliz/" rel="alternate" type="text/html"/>
    <title>Valdivia habla de la banda sonora CC de “199 recetas para ser feliz”</title>
    <summary>Hace poco publicamos la noticia de la edición con Creative Commons (CC) de la banda sonora de la próxima película de Andrés Waissbluth, “199 recetas para ser feliz”. Nos comunicamos con uno de los participantes de este proyecto musical, Andrés Valdivia, para conocer algo más del por qué decidieron ocupar estas licencias en vez del [...]</summary>
    <content type="xhtml"><div xmlns="http://www.w3.org/1999/xhtml"><p style="text-align: justify;">Hace poco publicamos <a href="http://www.creativecommons.cl/2008/08/06/soundtrack-disponible-de-film-199-recetas-para-ser-feliz/">la noticia</a> de la edición con Creative Commons (CC) de la banda sonora de la próxima película de Andrés Waissbluth, <a href="http://199recetas.cl/" target="_blank">“199 recetas para ser feliz”</a>. Nos comunicamos con uno de los participantes de este proyecto musical, <a href="http://www.musicapopular.cl/2.0/index2.php?op=Artista&amp;id=1714" target="_blank">Andrés Valdivia</a>, para conocer algo más del por qué decidieron ocupar estas licencias en vez del copyright. Acá, su testimonio.</p>
<p style="text-align: center;"><img alt="" class="aligncenter" height="200" src="http://farm3.static.flickr.com/2117/2119534346_a9c76c7732.jpg?v=0" title="valdivia" width="400"/></p>
<p style="text-align: center;">andrés.valdivia@<a href="http://www.flickr.com/photos/hixaga/2119534346/" target="_blank">hixaga</a></p>
<p style="text-align: justify;"><!--[if gte mso 9]><xml> Normal   0   21                                 MicrosoftInternetExplorer4 </xml><![endif]--><!--[if gte mso 10]> <mce:style mce_bogus="1">&lt;!   /* Style Definitions */  table.MsoNormalTable 	{mso-style-name:"Tabla normal"; 	mso-tstyle-rowband-size:0; 	mso-tstyle-colband-size:0; 	mso-style-noshow:yes; 	mso-style-parent:""; 	mso-padding-alt:0cm 5.4pt 0cm 5.4pt; 	mso-para-margin:0cm; 	mso-para-margin-bottom:.0001pt; 	mso-pagination:widow-orphan; 	font-size:10.0pt; 	font-family:"Times New Roman";} --></p>
<p style="text-align: justify;"><strong>En general Andrés, ¿por qué o bajo qué circunstancias, un creador debería licenciar con Creative Commons su obra?</strong></p>
<p style="text-align: justify;">Creo que cualquier músico que esté en el negocio de ampliar su “fan base” más que en el de vender su música, debería licenciar su trabajo con CC. Pero no porque sí, sino porque es muy importante poder decirle al usuario a qué tiene derecho y a qué no al momento de descargar tu trabajo. Eso es central. No sólo es una buena práctica digital (si es que eso existe), sino que es importante al momento de pensar en construir una industria donde la distribución gratuita sea parte del juego. Por otra parte, y desde la trinchera más obvia, resulta relevante para los mismos autores el poder  proteger sus trabajos contra usos que no son parte de su idea: regalar tu música no es lo mismo que dejar que cualquiera haga lo que quiera con ella. O si lo quieres ver desde el otro lado: una cosa es poner el acento en hacer crecer tu “fan base” y otra es permitir que se lucre o con tu trabajo sin la retribución correspondiente.</p>
<p style="text-align: justify;"><strong>¿Crees que esta forma de licenciar la banda sonora es beneficioso para la película? Si es así, ¿cómo se dan esas ventajas?</strong></p>
<p style="text-align: justify;">Es beneficioso desde un punto de vista súper pragmático: hoy en día en Chile es imposible lograr que una banda sonora llegue a tener una distribución masiva en formatos como CD u otros. Esto hace que muchas veces música notable quede restringida sólo a las salas de cine. Entonces, si el negocio de vender la banda sonora está vedado de entrada, el no lincenciarla para su distribución gratuita- con las prevenciones no comerciales correspondientes- es realmente perder una oportunidad flagrante. Es bueno para la película (más gente escucha su música, más gente se entera de ella) y es bueno para la música (permite que el trabajo sea escuchado en lugares e instancias en las que no habría sido posible antes sin dañar el negocio).</p>
<p style="text-align: justify;"><strong>¿Fue difícil poner de acuerdo a los participantes de esta banda sonora para licenciar con Creative Commons su trabajo?</strong></p>
<p style="text-align: justify;">En este caso no. Yo ya había tenido una experiencia relativamente exitosa al licenciar NudoCiego, por lo que la cosa no fue compleja. Ayudó también que la canción central de la banda sonora (Nutria, Detén el Invierno) se encontrara previamente licenciada de la misma manera, y que el productor de la banda sonora (Cristián Heyne) ya  hubiese trabajado anteriormente con licencias de este tipo.</p></div>
    </content>
    <updated>2008-08-18T14:42:16Z</updated>
    <category term="Principal"/>
    <author>
      <name>paz</name>
    </author>
    <source>
      <id>http://www.creativecommons.cl</id>
      <link href="http://creativecommons.cl/feed/" rel="self" type="application/atom+xml"/>
      <link href="http://www.creativecommons.cl" rel="alternate" type="text/html"/>
      <title>Creative Commons Chile</title>
      <updated>2008-08-18T14:42:16Z</updated>
    </source>
  </entry>

  <entry xml:lang="en">
    <id>http://de.creativecommons.org/?p=64</id>
    <link href="http://de.creativecommons.org/release-im-dezember-die-letzte-droge/" rel="alternate" type="text/html"/>
    <link href="http://creativecommons.org/licenses/by/2.0/de/" rel="license"/>
    <title>Release im Dezember: Die letzte Droge</title>
    <summary>Der Release des aktuellen Filmprojekts vom Open-Source-Netlabel VEBFilm Leipzig ist jetzt offiziell für den Dezember angekündigt. “Die letzte Droge” wird dabei unter der Creative Commons Namensnennung - Weitergabe unter gleichen Bedingungen - Lizenz (CC-BY-SA) veröffentlicht. Diese Lizenz lässt auch eine kommerzielle Verwendung zu. Stefan Kluge von VEBFilm Leipzig erklärt in einem Papier, warum sie das [...]</summary>
    <content type="xhtml"><div xmlns="http://www.w3.org/1999/xhtml"><p>Der Release des aktuellen Filmprojekts vom Open-Source-Netlabel <a href="http://www.vebfilm.net">VEBFilm Leipzig</a> ist jetzt offiziell für den Dezember angekündigt. “<a href="http://http://www.vebfilm.net/content/blogcategory/33/38/lang,de/">Die letzte Droge</a>” wird dabei unter der <a href="http://de.creativecommons.org">Creative Commons</a> Namensnennung - Weitergabe unter gleichen Bedingungen - Lizenz (CC-BY-SA) veröffentlicht. Diese Lizenz lässt auch eine kommerzielle Verwendung zu. Stefan Kluge von VEBFilm Leipzig <a href="http://www.vebfilm.net/images/stories/Die%20Letzte%20Droge%20-%20Unter%20welcher%20Lizenz.pdf">erklärt in einem Papier</a>, warum sie das machen. “Die letzte Droge” wird der erste freie Spielfilm in HD-Qualität aus Deutschland sein. Wir haben die Beta-Version schon gesehen und freuen uns auf das offizielle Release.</p>
<p>Mehr Hintergrund gibt es im Netzpolitik-Podcast 052: <a href="http://netzpolitik.org/2007/netzpolitik-podcast-052-das-open-source-film-netlabel-veb-film-leipzig/">Das Open-Source Film-Netlabel VEB Film Leipzig.</a></p></div>
    </content>
    <updated>2008-08-18T13:49:57Z</updated>
    <category term="News"/>
    <category term="deutschland"/>
    <category term="openmovie"/>
    <category term="vebfilm"/>
    <author>
      <name>markus</name>
    </author>
    <source>
      <id>http://de.creativecommons.org</id>
      <link href="http://de.creativecommons.org/feed" rel="self" type="application/atom+xml"/>
      <link href="http://de.creativecommons.org" rel="alternate" type="text/html"/>
      <link href="http://creativecommons.org/licenses/by/2.0/de/" rel="license"/>
      <subtitle>Manche Rechte vorbehalten</subtitle>
      <title>Creative Commons Deutschland</title>
      <updated>2008-08-18T14:50:44Z</updated>
    </source>
  </entry>

  <entry xml:lang="en">
    <id>http://netzpolitik.org/2008/release-im-dezember-die-letzte-droge/</id>
    <link href="http://netzpolitik.org/2008/release-im-dezember-die-letzte-droge/" rel="alternate" type="text/html"/>
    <link href="http%3A//creativecommons.org/licenses/by-nc-sa/3.0/de/" rel="license"/>
    <title>Release im Dezember: Die letzte Droge</title>
    <summary>Der Release des aktuellen Filmprojekts vom Open-Source-Netlabel VEBFilm Leipzig ist jetzt offiziell für den Dezember angekündigt. "Die letzte Droge" wird dabei unter der Creative Commons Namensnennung - Weitergabe unter gleichen Bedingungen - Lizenz (CC-BY-SA) veröffentlicht. Diese Lizenz lässt auch eine kommerzielle Verwendung zu. Stefan Kluge von VEBFilm Leipzig erklärt in einem Papier, warum sie das [...]</summary>
    <content type="xhtml"><div xmlns="http://www.w3.org/1999/xhtml"><p>Der Release des aktuellen Filmprojekts vom Open-Source-Netlabel <a href="http://www.vebfilm.net">VEBFilm Leipzig</a> ist jetzt offiziell für den Dezember angekündigt. “<a href="http://www.vebfilm.net/content/blogcategory/33/38/lang,de/">Die letzte Droge</a>” wird dabei unter der <a href="http://de.creativecommons.org">Creative Commons</a> Namensnennung - Weitergabe unter gleichen Bedingungen - Lizenz (CC-BY-SA) veröffentlicht. Diese Lizenz lässt auch eine kommerzielle Verwendung zu. Stefan Kluge von VEBFilm Leipzig <a href="http://www.vebfilm.net/images/stories/Die%20Letzte%20Droge%20-%20Unter%20welcher%20Lizenz.pdf">erklärt in einem Papier</a>, warum sie das machen.</p>
<p>Mehr Hintergrund gibt es im Netzpolitik-Podcast 052: <a href="http://netzpolitik.org/2007/netzpolitik-podcast-052-das-open-source-film-netlabel-veb-film-leipzig/">Das Open-Source Film-Netlabel VEB Film Leipzig.</a></p></div>
    </content>
    <updated>2008-08-18T13:48:00Z</updated>
    <category term="Deutschland"/>
    <category term="Digitalkultur"/>
    <category term="creative commons"/>
    <category term="openmovie"/>
    <category term="vebfilm"/>
    <author>
      <name>markus</name>
    </author>
    <source>
      <id>http://netzpolitik.org</id>
      <link href="http://netzpolitik.org/category/creative-commons/feed" rel="self" type="application/atom+xml"/>
      <link href="http://netzpolitik.org" rel="alternate" type="text/html"/>
      <link href="http%3A//creativecommons.org/licenses/by-nc-sa/3.0/de/" rel="license"/>
      <subtitle>Aktuelle Berichterstattung rund um die politischen Themen der Informationsgesellschaft.</subtitle>
      <title>netzpolitik.org » creative commons</title>
      <updated>2008-08-20T20:40:14Z</updated>
    </source>
  </entry>

  <entry xml:lang="en">
    <id>http://creativecommons.org.au/183 at http://creativecommons.org.au</id>
    <link href="http://creativecommons.org.au/node/183" rel="alternate" type="text/html"/>
    <title>August is Remix  Month!</title>
    <summary type="xhtml"><div xmlns="http://www.w3.org/1999/xhtml"><p/><br/><p/><p/><table align="center" hspace="10">
<tbody><tr>
<td><a href="http://www.remixmylit.com/"><img align="center" hspace="10" src="http://www.remixmylit.com/wp-content/images/rml-logo-header.png" width="400"/></a></td>
</tr>
</tbody></table><p/>
<p>CCau's sister project, <a href="http://www.remixmylit.com">Remix My Lit</a>, has declared August to be remix month. They have 9 new short stories up, all written by prominent Australian authors - from ABC Fiction Award winner <a href="http://en.wikipedia.org/wiki/Damian_McDonald_%28Writer%2C_Musician%29">Damian MacDonald</a> to best seller <a href="http://www.kimwilkins.com/">Kim Wilkins</a>. And all licensed under the Creative Commons <a href="http://creativecommons.org/licenses/by-nc-sa/2.5/au/">Attribution Non-Commercial ShareAlike</a> licence - just waiting for you to rework, remix and reinvent. </p>
<p>The CC licences are, of course, perpetual - you're free to use the stories anytime. But if you send your remixes to anthology@creativecommons.org.au before 31 August you'll get your story posted on the website, and have a chance for it to be published in the hard copy anthology alongside your favourite author.</p>
<p>So get to it. And if you want to know more about remixing literature, join the Remix My Lit team at the <a href="http://www.mwf.com.au/">Melbourne Writers’ Festival</a> for two events: </p>
<p>* <a href="http://www.mwf.com.au/2008/content/mwf_2008_events.asp?name=2993">Beyond Read/Write: A Literature Remix Masterclass</a> on Friday 29 August 2008 from 9.00am - 11.00pm at the Immigration Museum. It’s free, but places are limited so book now on 1300 722 211.<br/>
* the <a href="http://www.mwf.com.au/2008/content/mwf_2008_events.asp?name=3099">live multimedia remix event</a> at Federation Square, Saturday 30th August 2008 from 3.30-5.00pm.</p></div>
    </summary>
    <updated>2008-08-18T12:42:51Z</updated>
    <author>
      <name>jess</name>
    </author>
    <source>
      <id>http://creativecommons.org.au</id>
      <link href="http://creativecommons.org.au" rel="alternate" type="text/html"/>
      <link href="http://creativecommons.org.au/node/feed" rel="self" type="application/rss+xml"/>
      <title>Creative Commons Australia -</title>
      <updated>2008-08-21T02:02:35Z</updated>
    </source>
  </entry>

  <entry xml:lang="ko">
    <id>http://www.creativecommons.or.kr/blog/article/62</id>
    <link href="http://www.creativecommons.or.kr/blog/article/62" rel="alternate" type="text/html"/>
    <title>미국법원, 자유라이선스의 법적 효력을 판단하다.</title>
    <summary type="xhtml"><div xmlns="http://www.w3.org/1999/xhtml"><p class="HStyle0" style="MARGIN-BOTTOM: 4pt; LINE-HEIGHT: 120%;"><span><font face="'DotumChe', 'Sans-serif'"><font color="#ff0000">미국 법원에서 자유 라이선스에 관한 아주 중요한 결정이 나왔다.  <br/>
</font><br/>
지난 8월 13일, 미국의 federal circuit (미 연방 항소법원의 하나로 우리나라의 특허법원 비슷한 법원)은 자유소프트웨어 라이선스 중 하나인 </font><a href="http://www.opensource.org/licenses/artistic-license-1.0.php" target="_blank"><font face="'DotumChe', 'Sans-serif'">Artistic License</font></a><font face="'DotumChe', 'Sans-serif'">가 적용된 프로그램을 사용하면서 그 조항을 위반하였다는 이유로 금지명령인 사전처분(preliminary injunction)을 구하는 신청인의 신청을 기각한 1심 법원의 판결을 파기하고 재심리를 위해 1심법원으로 돌려보냈다. </font></span></p>

<p class="HStyle0" style="MARGIN-BOTTOM: 4pt; LINE-HEIGHT: 120%;"><span><font face="'DotumChe', 'Sans-serif'">당초 1심 법원은 Artistic License의 조항(저작자표시, 저작권표시, 원본파일 및 출저표시, 변경사항의 명시 등)을 위반한 것은 저작권침해의 문제가 아니라 단지 부수적 약정을 위반한 것에 불과하므로 그것만으로는 사전처분의 요건을 충족하지 못한다는 이유로 신청인의 신청을 받아들이지 않았었다. 그러나 Federal Court는 라이선스 조항은 단지 이용허락을 받으면서 지키기로 한 약정(covenants)이 아니라 이용허락을 받기 위해서 충족해야 될 조건(condition)에 해당한다고 판단하여 1심 법원의 판단을 뒤집은 것이다.</font></span></p>

<p class="HStyle0" style="MARGIN-BOTTOM: 4pt; LINE-HEIGHT: 120%;"><span><font face="'DotumChe', 'Sans-serif'">이 판결의 의미를 정리하면, 자유 라이선스의 이용조건을 위반한 경우는 계약법상의 문제가 아니라 저작권법상의 문제라는 것이다. 미국법상 계약법과 저작권법은 그 규율을 달리 한다. 계약법에 의한 책임을 물으려면 우선 양당사자 사이에 정당하게 계약이 성립되었음이 요구되는데 라이선스가 붙어있는 저작물을 이용함으로써 계약의 성립이 의제된다고 구성할 수밖에 없는 자유라이선스의 특성상 계약성립 여부에 관한 다툼이 있을 수 있고, 그 성립요건이나 해석은 각 주마다 더 나아가 국가마다 다르게 규율될 수 있어 확실한 유효성을 담보하기 힘들게 된다. 뿐만 아니라 손해배상의 액수나 구할 수 있는 구제조치 등에 있어 저작권법에 의한 청구보다는 제한적이기 때문에 계약법상의 책임을 묻는 것은 여러모로 불리할 수 밖에 없다. 따라서 자유라이선스 조항위반을 저작권침해로 규율하여야 한다는 법원의 판단은 자유라이선스의 법적 실효성을 뒷받침해주는 중요한 의미를 갖는다.</font></span></p>

<p class="HStyle0" style="MARGIN-BOTTOM: 4pt; LINE-HEIGHT: 120%;"><span><font face="'DotumChe', 'Sans-serif'">특히 고무적인 것은 법원은 Publice Licence, 즉 오픈소스 라이선스, GNU GPL, CCL(Creative Commons License) 등의 자유 라이선스를 명시적으로 언급하면서 그 내용과 함께 이 라이선스들이 예술과 과학의 진보에 필요한 창조적인 협력을 가능하게 한다면서 그 가치를 인정하였다는 점이다. 또한 전통적인 라이선스와 달리 금전의 교환을 전제로 하지 않지만 명성의 확대, 창작물의 개선 등 여전히 경제적 동기도 있음을 강조하여 그 경제적 역할도 인정하였다. 여러모로 자유라이선스의 유효성을 인정한 미국 법원의 첫 번째 명시적인 판결이 나옴으로써 자유라이선스 진용은 큰 힘을 얻을 것으로 예상된다.</font></span></p>

<p class="HStyle0" style="MARGIN-BOTTOM: 4pt; LINE-HEIGHT: 120%;"><span><font face="'DotumChe', 'Sans-serif'">우리나라에서도 자유라이선스의 법적 효력에 대한 법원의 판단은 아직 없었으나 자유라이선스, 특히 GPL의 유효성에 대한 의문이 일부 제기되어 왔었다. 즉 앞서 말한 바와 같이 이용에 근거한 계약 성립이 유효한 것인지에 대한 의문이다. 권리자는 이용자와 사이에 이용허락계약이 성립되었음을 입증하고 이에 근거해서 위반책임을 물어야 하는데 그 입증에 어려움이 있다는 것이다. 그러나 이에 대해서는 권리자는 라이선스의 성립을 굳이 입증할 필요 없이 그 저작물의 저작권이 자신에게 있고 상대방이 이를 무단 이용한 사실만 주장 입증하면 되고 오히려 이를 적법하게 이용할 수 있는 권한이 자신에게 있음을 상대방이 밝혀야 하므로 권리구제에 아무런 문제가 없다는 견해가 제시되어 왔다. 미국법과 국내법에 다소 차이는 있어 그대로 적용하기는 어렵지만 위 federal court와 같은 맥락이라고 할 수 있다. 비록 다른 나라 법원의 판결이기는 하지만 국내법상 해석에 있어서도 좋은 참고가 되리라 본다.     </font></span></p>

<p class="HStyle0" style="MARGIN-BOTTOM: 4pt; LINE-HEIGHT: 120%;"><span><span><font face="'DotumChe', 'Sans-serif'">결정 원문은 </font><a href="http://www.cafc.uscourts.gov/opinions/08-1001.pdf"><font face="'DotumChe', 'Sans-serif'">http://www.cafc.uscourts.gov/opinions/08-1001.pdf</font></a><font face="'DotumChe', 'Sans-serif'"> 에서 확인할 수 있다.<br/>
<br/>
</font></span></span></p></div>
    </summary>
    <updated>2008-08-18T01:17:18Z</updated>
    <source>
      <id>http://www.creativecommons.or.kr/</id>
      <author>
        <name>CC Korea (Korean)</name>
      </author>
      <link href="http://www.creativecommons.or.kr/" rel="alternate" type="text/html"/>
      <link href="http://www.creativecommons.or.kr/rss.xml" rel="self" type="application/rss+xml"/>
      <title>creative commons korea</title>
      <updated>2008-08-21T02:02:02Z</updated>
    </source>
  </entry>

  <entry xml:lang="en">
    <id>http://labs.creativecommons.org/?p=157</id>
    <link href="http://labs.creativecommons.org/2008/08/16/license-oriented-metadata-validator-and-viewer-summertime-is-winding-up/" rel="alternate" type="text/html"/>
    <title>License-oriented metadata validator and viewer: summertime is winding up</title>
    <summary>Google Summer of Code 2008 approaches its end, as less than forty-eight hours are left to submit the code that will then be evaluated by mentors, therefore it is fitting to pause for a moment and sum up the work that has been done with regard to the license-oriented metadata validator and viewer and to [...]</summary>
    <content type="xhtml"><div xmlns="http://www.w3.org/1999/xhtml"><p><a href="http://code.google.com/soc/2008/">Google Summer of Code 2008</a> approaches <a href="http://code.google.com/soc/2008/faqs.html#0.1_timeline" title="Google Summer of Code 2008 Timeline">its end</a>, as less than forty-eight hours are left to submit the code that will then be evaluated by mentors, therefore it is fitting to pause for a moment and sum up the work that has been done with regard to the license-oriented metadata validator and viewer and to confront it with <a href="http://wiki.creativecommons.org/Rewrite_Metadata_Validator/SoC_2008#Proposed_timeline">the original proposal for the project</a>.</p>
<p>A Web application capable of parsing and displaying license information embedded in both <a href="http://www.w3.org/TR/2006/REC-xml-20060816/#sec-well-formed">well-formed</a> and ill-formed Web pages has been developed. It supports the following means of embedding license information: <a href="http://dublincore.org/documents/dcq-html/">Dublin Core metadata</a>, <a href="http://www.w3.org/TR/rdfa-syntax/">RDFa</a>, <a href="http://www.w3.org/TR/rdf-syntax-grammar/">RDF/XML</a> linked externally or embedded (utilising <a href="http://www.ietf.org/rfc/rfc2397.txt">the <span style="font-family: monospace;">data</span> <abbr title="Uniform Resource Locator">URL</abbr> scheme</a>) using the <span style="font-family: monospace;">link</span> and <span style="font-family: monospace;">a</span> elements, and RDF/XML embedded in a comment or as an element (the last two being deprecated). This functionality has been proven by unit testing. The source code of a Web page can be uploaded or pasted by a user, there is also a possibility to provide a <a href="http://www.ietf.org/rfc/rfc3986.txt"><abbr title="Uniform Resource Identifier">URI</abbr></a> for the Web application to analyse it. The software has been written in <a href="http://www.python.org/">Python</a> and uses <a href="http://pylonshq.com/">the Pylons Web Framework</a> and <a href="http://genshi.edgewall.org/">the Genshi toolkit</a>. Should you be willing to test this <a href="http://lynx.isc.org/">Lynx</a>-friendly application, please visit <a href="http://validator-beta.creativecommons.org/" rel="nofollow" title="The temporary address of the license validator">its Web site</a>.</p>
<p>The Web application itself uses a library called “libvalidator”, which in turn is powered by cc.license (a library developed by Creative Commons that returns information about a given license), <a href="http://www.w3.org/2007/08/pyRdfa/">pyRdfa</a> (a distiller that generates the <a href="http://www.w3.org/RDF/"><abbr title="Resource Description Framework">RDF</abbr></a> triples from an (X)HTML+RDFa file), <a href="http://code.google.com/p/html5lib/">html5lib</a> (an <abbr title="HyperText Markup Language">HTML</abbr> parser/tokenizer), and <a href="http://rdflib.net/">RDFLib</a> (a library for working with RDF). The choice of this set of tools has not been obvious and the library had undergone several redesigns, which included removing the code that employed <a href="http://cthedot.de/encutils/">encutils</a>, <a href="http://www.w3.org/TR/xml-c14n"><abbr title="Extensible Markup Language">XML</abbr> canonicalization</a>, <a href="http://utidylib.berlios.de/">µTidylib</a>, and <a href="http://www.crummy.com/software/BeautifulSoup/">the BeautifulSoup</a>. The idea of using <a href="http://librdf.org/">librdf</a>, <a href="http://rdfa.digitalbazaar.com/librdfa/">librdfa</a>, rdfadict has been abandoned. The source code of both the Web application (licensed under <a href="http://www.gnu.org/licenses/agpl-3.0.txt">the GNU Affero General Public License version 3</a> or newer) and its core library (licensed under <a href="http://www.gnu.org/licenses/lgpl-3.0.txt">the GNU Lesser General Public License version 3</a> or newer) is available through <a href="http://code.creativecommons.org/viewgit">the Git repositories of Creative Commons</a>.</p>
<p>In contrast to the contents of the original proposal, the following goals have not been met: traversal of special links, syndication feeds parsing, statistics, and cloning the layout of the Creative Commons Web site. However, these were never <a href="http://wiki.creativecommons.org/Rewrite_Metadata_Validator">mandatory requirements for the Web application</a>. It is also worth noting that the software has been written from scratch, although a now-defunct metadata validator existed. Nevertheless, the development does not end with Google Summer of Code — these and several new features (such as validation of multimedia files via liblicense and support for different language versions) are planned to be added, albeit at a slower pace.</p>
<p>After the test period, the validator will be available under <a href="http://validator.creativecommons.org/">http://validator.creativecommons.org/</a>.</p></div>
    </content>
    <updated>2008-08-16T20:41:50Z</updated>
    <category term="development"/>
    <category term="license"/>
    <category term="licenses"/>
    <category term="python"/>
    <category term="rdf"/>
    <category term="rdfa"/>
    <category term="summer of code"/>
    <category term="metadata"/>
    <category term="opensource"/>
    <category term="software"/>
    <author>
      <name>Hugo Dworak</name>
    </author>
    <source>
      <id>http://labs.creativecommons.org</id>
      <link href="http://labs.creativecommons.org/feed/" rel="self" type="application/atom+xml"/>
      <link href="http://labs.creativecommons.org" rel="alternate" type="text/html"/>
      <subtitle>by Creative Commons</subtitle>
      <title>Labs</title>
      <updated>2008-08-16T20:41:50Z</updated>
    </source>
  </entry>

  <entry xml:lang="en">
    <id>http://creativecommons.org/?p=8866</id>
    <link href="http://creativecommons.org/weblog/entry/8866" rel="alternate" type="text/html"/>
    <title>Creative Commons HowTo</title>
    <summary>Molly Kleinman, Copyright Specialist and Special Projects Librarian at the University of Michigan, just wrote up a nice howto for people who use Creative Commons licensed material in their work.  This will hopefully add to the repository of knowledge for best practices on material integration.
This is an ongoing issue in the community.  No matter [...]</summary>
    <content type="xhtml"><div xmlns="http://www.w3.org/1999/xhtml"><p><a href="http://mollykleinman.com/">Molly Kleinman</a>, Copyright Specialist and Special Projects Librarian at the University of Michigan, just wrote up a nice <a href="http://mollykleinman.com/2008/08/15/cc-howto-1-how-to-attribute-a-creative-commons-licensed-work/">howto</a> for people who use Creative Commons licensed material in their work.  This will hopefully add to the repository of knowledge for best practices on material integration.</p>
<p>This is an ongoing issue in the community.  No matter how straight forward the instructions for providing attribution to a work are, mistakes will always be made.  Most times the mistakes are made not in malice but in a lack of guidance.  Luckily, Molly is taking up the task on her blog.</p>
<p>Her examples are easy to understand along with providing various methods of accomplishing the same goal.  She even has an “Ideal” example and a “Realistic” example.</p>
<p>From Molly:</p>
<blockquote><p>I’m taking the material I use in my workshops, mixing it up with CC’s extensive documentation, and posting the results here. If anyone has ideas for topics they’d like me to cover, let me know.</p></blockquote>
<p>Here’s hoping she continues on this project of producing easy to understand examples of how to use Creative Commons licenses effectively and correctly.</p></div>
    </content>
    <updated>2008-08-16T16:57:36Z</updated>
    <category term="Weblog"/>
    <author>
      <name>Greg Grossmeier</name>
    </author>
    <source>
      <id>http://creativecommons.org</id>
      <link href="http://creativecommons.org/weblog/rss" rel="self" type="application/atom+xml"/>
      <link href="http://creativecommons.org" rel="alternate" type="text/html"/>
      <subtitle>Share, reuse, and remix — legally.</subtitle>
      <title>Creative Commons » CC News</title>
      <updated>2008-08-20T17:40:03Z</updated>
    </source>
  </entry>

  <entry xml:lang="en">
    <id>http://creativecommons.org/?p=8855</id>
    <link href="http://creativecommons.org/weblog/entry/8855" rel="alternate" type="text/html"/>
    <title>Version 3.0 Austria now goes live!</title>
    <summary>We are very pleased to announce that Creative Commons Austria has successfully completed the versioning of the ported Creative Commons licensing suite in Austria. Following the versioning of Creative Commons Germany in late July 2008, Version 3.0 of the six standard Creative Commons licenses is now legally and linguistically adapted to Austrian law. A special [...]</summary>
    <content type="xhtml"><div xmlns="http://www.w3.org/1999/xhtml"><p><a href="http://creativecommons.org/wp-content/uploads/2008/08/800px-flag_of_austria.png"><img alt="" class="alignright size-medium wp-image-8854" height="100" src="http://creativecommons.org/wp-content/uploads/2008/08/800px-flag_of_austria.png" title="800px-flag_of_austria" width="165"/></a></p>
<p>We are very pleased to announce that Creative Commons Austria has successfully completed the versioning of the ported <a href="http://creativecommons.org/international/at/">Creative Commons licensing suite in Austria</a>. Following the <a href="http://creativecommons.org/international/de/">versioning of Creative Commons Germany</a> in late July 2008, Version 3.0 of the six standard Creative Commons licenses is now legally and linguistically adapted to Austrian law. A special Thank You to the Legal Project Lead for CC Austria, Dr. Florian Philapitsch, LL.M., who has led the process!</p>
<p>For a more detailed explanation, please see the <a href="http://mirrors.creativecommons.org/international/at/BY_NC_SA_3.0_A_FinalKomm.pdf">summary of all significant changes (in German)</a>.</p>
<p><em> Congratulations, CC Austria!</em></p></div>
    </content>
    <updated>2008-08-15T14:21:18Z</updated>
    <category term="Weblog"/>
    <author>
      <name>Patricia Escalera</name>
    </author>
    <source>
      <id>http://creativecommons.org</id>
      <link href="http://creativecommons.org/weblog/rss" rel="self" type="application/atom+xml"/>
      <link href="http://creativecommons.org" rel="alternate" type="text/html"/>
      <subtitle>Share, reuse, and remix — legally.</subtitle>
      <title>Creative Commons » CC News</title>
      <updated>2008-08-20T17:40:03Z</updated>
    </source>
  </entry>

  <entry xml:lang="en">
    <id>http://sciencecommons.org/?p=375</id>
    <link href="http://sciencecommons.org/weblog/archives/2008/08/15/intelligent-television-the-open-access-documentary-project/" rel="alternate" type="text/html"/>
    <title>Intelligent Television: The Open Access Documentary Project</title>
    <summary>Intelligent Television has posted early clips from a documentary project it’s undertaking with BioMed Central to showcase the benefits of open access (OA) to scientific and medical research. The project will produce a series of videos featuring interviews with activists, publishers and other stakeholders in OA, as well as consumers of OA information in the [...]</summary>
    <content type="xhtml"><div xmlns="http://www.w3.org/1999/xhtml"><p><a href="http://www.intelligenttelevision.com/">Intelligent Television</a> has <a href="http://www.intelligenttelevision.com/index.php/site/production/the-open-access-documentary-project/">posted early clips</a> from a documentary project it’s undertaking with <a href="http://www.biomedcentral.com/">BioMed Central</a> to showcase the benefits of <a href="http://www.earlham.edu/~peters/fos/overview.htm">open access</a> (OA) to scientific and medical research. The project will produce a series of videos featuring interviews with activists, publishers and other stakeholders in OA, as well as consumers of OA information in the developed and developing world.</p>
<p>Check out the clips for highlights of interviews with our own <a href="http://creativecommons.org/about/people/">John Wilbanks</a>, Vice President of Science at Creative Commons, and <a href="http://www.arl.org/sparc/about/staff/joseph.shtml">Heather Joseph</a>, Executive Director of <a href="http://www.arl.org/sparc/index.shtml">SPARC</a>.</p></div>
    </content>
    <updated>2008-08-15T13:35:39Z</updated>
    <category term="weblog"/>
    <author>
      <name>dwentworth</name>
    </author>
    <source>
      <id>http://sciencecommons.org</id>
      <link href="http://sciencecommons.org/feed/" rel="self" type="application/atom+xml"/>
      <link href="http://sciencecommons.org" rel="alternate" type="text/html"/>
      <title>Science Commons</title>
      <updated>2008-08-18T19:22:13Z</updated>
    </source>
  </entry>

  <entry xml:lang="en">
    <id>http://creativecommons.org.au/182 at http://creativecommons.org.au</id>
    <link href="http://creativecommons.org.au/node/182" rel="alternate" type="text/html"/>
    <title>Ancient Free Gardeners - flying the CC banner</title>
    <summary type="xhtml"><div xmlns="http://www.w3.org/1999/xhtml"><p/><br/><p/><p/><table align="left" hspace="10">
<tbody><tr>
<td><a href="http://ancientfreegardeners.com/"><img align="left" hspace="10" src="http://farm4.static.flickr.com/3185/2764018357_2259b3f83b.jpg?v=0" width="160"/></a></td>
</tr>
</tbody></table><p/>
<p>Those who have been following the <a href="http://wiki.creativecommons.org/casestudies">CC Case Studies wiki</a> will be familiar with <a href="http://ancientfreegardeners.com/">Ancient Free Gardeners</a>, a Melbourne-based indie band who <a href="http://wiki.creativecommons.org/Ancient_Free_Gardeners">use CC licences to distribute their music</a>. We're very pleased to announce that AFG have released their new single, <a href="http://ancientfreegardeners.com/">Innards Out</a>, under a CC BY-NC-SA licence, which allows it to be freely distributed and even remixed. And they're getting quite a bit of attention from it. </p>
<p>Since their launch a couple of weeks ago they've been getting airplay on community radio, been promoted on a number of prominent <a href="http://mp3hugger.com/2008/07/ancient-free-gardeners-innards-out.html">music blogs</a>, and have even been interviewed about their decision. Most importantly, the single has been downloaded several thousand times from their website - they even had to upgrade their servers to cope with the demand. And they attribute a good part of this attention to the CC licensing.</p>
<p>So <a href="http://ancientfreegardeners.com/">download the single</a>, send it to your friends, remix it into a new piece. And if you like what you hear, <a href="http://ancientfreegardeners.com/?page_id=22">go to a gig</a> or <a href="http://ancientfreegardeners.com/?page_id=17">buy an album</a>. Watch this space for more news about competitions etc featuring the song.</p></div>
    </summary>
    <updated>2008-08-15T05:10:28Z</updated>
    <author>
      <name>jess</name>
    </author>
    <source>
      <id>http://creativecommons.org.au</id>
      <link href="http://creativecommons.org.au" rel="alternate" type="text/html"/>
      <link href="http://creativecommons.org.au/node/feed" rel="self" type="application/rss+xml"/>
      <title>Creative Commons Australia -</title>
      <updated>2008-08-21T02:02:35Z</updated>
    </source>
  </entry>

  <entry xml:lang="en">
    <id>http://creativecommons.org/?p=8847</id>
    <link href="http://creativecommons.org/weblog/entry/8847" rel="alternate" type="text/html"/>
    <title>Mozilla Concept Series</title>
    <summary>The Mozilla Concept Series is a recently announced initiative from Mozilla to garner greater participation in creating their newest browser, Aurora. While there are some intriguing inaugural designs, the most engaging part of the project is that Mozilla is pooling the greater web community for submissions in the form of ideas, mockups (textual/visual examples), and [...]</summary>
    <content type="xhtml"><div xmlns="http://www.w3.org/1999/xhtml"><p><a href="http://labs.mozilla.com/projects/concept-series/">The Mozilla Concept Series</a> is a <a href="http://labs.mozilla.com/2008/08/introducing-the-concept-series-call-for-participation/">recently announced</a> initiative from <a href="http://mozilla.com/">Mozilla</a> to garner greater participation in creating their newest browser, <strong>Aurora</strong>. While there are some <a href="http://adaptivepath.com/aurora/">intriguing</a> <a href="http://www.vimeo.com/1466664">inaugural</a> <a href="http://www.azarask.in/blog/post/firefox-mobile-concept-video/">designs</a>, the most engaging part of the project is that Mozilla is pooling the greater web community for submissions in the form of ideas, mockups (textual/visual examples), and prototypes (interactive illustrations). Of note to the CC community is that Mozilla is requiring that all ideas and mockups are submitted under a CC license, making them easily “redistributable and remixable” (prototypes require an accompanying <a href="http://www.mozilla.org/MPL/">Mozilla Public License</a>). From Mozilla:</p>
<blockquote><p>We only ask that all concepts and related source materials be freely redistributable and remixable under either a Creative Commons license (for Ideas and Mockups) or the Mozilla Public License (for Prototypes) so that we can all effectively collaborate on the exploration. Again, the intent is not for these concepts to evolve directly into new products but rather to provoke thought, facilitate discussion and provide inspiration.</p></blockquote></div>
    </content>
    <updated>2008-08-14T20:54:03Z</updated>
    <category term="Weblog"/>
    <author>
      <name>Cameron Parkins</name>
    </author>
    <source>
      <id>http://creativecommons.org</id>
      <link href="http://creativecommons.org/weblog/rss" rel="self" type="application/atom+xml"/>
      <link href="http://creativecommons.org" rel="alternate" type="text/html"/>
      <subtitle>Share, reuse, and remix — legally.</subtitle>
      <title>Creative Commons » CC News</title>
      <updated>2008-08-20T17:40:03Z</updated>
    </source>
  </entry>

  <entry xml:lang="en">
    <id>http://netzpolitik.org/2008/oesterreich-creative-commons-30/</id>
    <link href="http://netzpolitik.org/2008/oesterreich-creative-commons-30/" rel="alternate" type="text/html"/>
    <link href="http%3A//creativecommons.org/licenses/by-nc-sa/3.0/de/" rel="license"/>
    <title>Österreich: Creative Commons 3.0</title>
    <summary>Auch in Österreich gibt es jetzt die Creative Commons Lizenzen in der Version 3.0:

Seit heute stehen die CC-Lizenzen in der Version 3.0 in der "österreichischen" Variante der Öffentlichkeit zur Verfügung. Dabei handelt es sich um die Übersetzung und Anpassung der ursprünglichen englischsprachigen Lizenzen in der Version 3.0, die eine Anwendbarkeit in Österreich garantieren soll. Zu [...]</summary>
    <content type="xhtml"><div xmlns="http://www.w3.org/1999/xhtml"><p>Auch in Österreich gibt es jetzt die <a href="http://creativecommons.at/2008/cc3">Creative Commons Lizenzen in der Version 3.0</a>:</p>
<blockquote><p>Seit heute stehen die CC-Lizenzen in der Version 3.0 in der “österreichischen” Variante der Öffentlichkeit zur Verfügung. Dabei handelt es sich um die Übersetzung und Anpassung der ursprünglichen englischsprachigen Lizenzen in der Version 3.0, die eine Anwendbarkeit in Österreich garantieren soll. Zu diesem Zweck wurde insbesondere auf die sprachlichen Eigenheiten des österreichischen Urheberrechts Rücksicht genommen, um eine Durchsetzung vor einem inländischem Gericht zu erleichtern. Neu in den Lizenzen der Generation 3.0 sind unter anderem die Berücksichtigung des Datenbankrechts, der Urheberpersönlichkeitsrechte sowie der Vergütungsansprüche bei gesetzlichen Lizenzen und Zwangslizenzen.</p></blockquote>
<p>Eine kurze Kommentierung, die die Neuerungen beschreibt sowie die Unterschiede im Vergleich zu den deutschen Lizenzen erläutert ist <a href="http://creativecommons.at/2008/lizenzvergleich">hier abrufbar</a> . Die Portierung erfolgte durch den Legal Project Lead von Creative Commons Österreich, Florian Philapitsch.</p></div>
    </content>
    <updated>2008-08-14T17:56:06Z</updated>
    <category term="Digitalkultur"/>
    <category term="Urheberrecht"/>
    <category term="creative commons"/>
    <category term="&#xD6;sterreich"/>
    <category term="Lizenzen"/>
    <author>
      <name>markus</name>
    </author>
    <source>
      <id>http://netzpolitik.org</id>
      <link href="http://netzpolitik.org/category/creative-commons/feed" rel="self" type="application/atom+xml"/>
      <link href="http://netzpolitik.org" rel="alternate" type="text/html"/>
      <link href="http%3A//creativecommons.org/licenses/by-nc-sa/3.0/de/" rel="license"/>
      <subtitle>Aktuelle Berichterstattung rund um die politischen Themen der Informationsgesellschaft.</subtitle>
      <title>netzpolitik.org » creative commons</title>
      <updated>2008-08-20T20:40:14Z</updated>
    </source>
  </entry>

  <entry xml:lang="en">
    <id>http://de.creativecommons.org/?p=63</id>
    <link href="http://de.creativecommons.org/osterreich-creative-commons-30/" rel="alternate" type="text/html"/>
    <link href="http://creativecommons.org/licenses/by/2.0/de/" rel="license"/>
    <title>Österreich: Creative Commons 3.0</title>
    <summary>Auch in Österreich gibt es jetzt die Creative Commons Lizenzen in der Version 3.0:
Seit heute stehen die CC-Lizenzen in der Version 3.0 in der “österreichischen” Variante der Öffentlichkeit zur Verfügung. Dabei handelt es sich um die Übersetzung und Anpassung der ursprünglichen englischsprachigen Lizenzen in der Version 3.0, die eine Anwendbarkeit in Österreich garantieren soll. Zu [...]</summary>
    <content type="xhtml"><div xmlns="http://www.w3.org/1999/xhtml"><p>Auch in Österreich gibt es jetzt die <a href="http://creativecommons.at/2008/cc3">Creative Commons Lizenzen in der Version 3.0</a>:</p>
<blockquote><p>Seit heute stehen die CC-Lizenzen in der Version 3.0 in der “österreichischen” Variante der Öffentlichkeit zur Verfügung. Dabei handelt es sich um die Übersetzung und Anpassung der ursprünglichen englischsprachigen Lizenzen in der Version 3.0, die eine Anwendbarkeit in Österreich garantieren soll. Zu diesem Zweck wurde insbesondere auf die sprachlichen Eigenheiten des österreichischen Urheberrechts Rücksicht genommen, um eine Durchsetzung vor einem inländischem Gericht zu erleichtern. Neu in den Lizenzen der Generation 3.0 sind unter anderem die Berücksichtigung des Datenbankrechts, der Urheberpersönlichkeitsrechte sowie der Vergütungsansprüche bei gesetzlichen Lizenzen und Zwangslizenzen.</p></blockquote>
<p>Eine kurze Kommentierung, die die Neuerungen beschreibt sowie die Unterschiede im Vergleich zu den deutschen Lizenzen erläutert ist <a href="http://creativecommons.at/2008/lizenzvergleich">hier abrufbar</a> . Die Portierung erfolgte durch den Legal Project Lead von Creative Commons Österreich, Florian Philapitsch.</p></div>
    </content>
    <updated>2008-08-14T17:55:09Z</updated>
    <category term="News"/>
    <category term="&#xF6;sterreich"/>
    <author>
      <name>markus</name>
    </author>
    <source>
      <id>http://de.creativecommons.org</id>
      <link href="http://de.creativecommons.org/feed" rel="self" type="application/atom+xml"/>
      <link href="http://de.creativecommons.org" rel="alternate" type="text/html"/>
      <link href="http://creativecommons.org/licenses/by/2.0/de/" rel="license"/>
      <subtitle>Manche Rechte vorbehalten</subtitle>
      <title>Creative Commons Deutschland</title>
      <updated>2008-08-18T14:50:44Z</updated>
    </source>
  </entry>

  <entry xml:lang="en">
    <id>http://www.creativecommons.cl/?p=199</id>
    <link href="http://www.creativecommons.cl/2008/08/14/lanzamiento-de-disco-de-husares-de-la-muerte/" rel="alternate" type="text/html"/>
    <title>Lanzamiento de disco de Húsares de la Muerte</title>
    <summary>El Netlabel chileno “Pueblo Nuevo” lanzó el debut homónimo de H.D.M. (Húsares de la Muerte), grupo de rap que en este trabajo demuestra un momento creativo poco frecuente en la escena hip-hop nacional. “Un maldito rap directo” es la calificación de este grupo que le da el Juez, ex MC de los Panteras Negras. El [...]</summary>
    <content type="xhtml"><div xmlns="http://www.w3.org/1999/xhtml"><p style="text-align: left;"><img alt="" class="aligncenter" height="150" src="http://www.pueblonuevo.cl/images/pn031_485_front.jpg" title="HDM" width="200"/>El Netlabel chileno <a href="http://www.pueblonuevo.cl/pn_site/index_pn031.htm" target="_blank">“Pueblo Nuevo”</a> lanzó el debut homónimo de <a href="http://www.pueblonuevo.cl/pn_site/index_pn031.htm" target="_blank"><strong>H.D.M. (Húsares de la Muerte)</strong></a>, grupo de rap que en este trabajo demuestra un momento creativo poco frecuente en la escena hip-hop nacional. “Un maldito rap directo” es la calificación de este grupo que le da el Juez, ex MC de los Panteras Negras. El disco, cómo no, está licenciado con Creative Commons.</p></div>
    </content>
    <updated>2008-08-14T16:26:48Z</updated>
    <category term="Vitrina"/>
    <author>
      <name>paz</name>
    </author>
    <source>
      <id>http://www.creativecommons.cl</id>
      <link href="http://creativecommons.cl/feed/" rel="self" type="application/atom+xml"/>
      <link href="http://www.creativecommons.cl" rel="alternate" type="text/html"/>
      <title>Creative Commons Chile</title>
      <updated>2008-08-18T14:42:16Z</updated>
    </source>
  </entry>

  <entry xml:lang="en">
    <id>http://netzpolitik.org/?p=6347</id>
    <link href="http://netzpolitik.org/2008/isummit-08-best-of-keynotes-ii/" rel="alternate" type="text/html"/>
    <link href="http%3A//creativecommons.org/licenses/by-nc-sa/3.0/de/" rel="license"/>
    <title>iSummit 08: Best of Keynotes II</title>
    <summary>Hier nachgereicht noch ein Best-of der Keynotes der zweiten Hälfte des iSummit 08:

Open Source Pharmaindustrie

Dr. Hiroaki Kitano vom Sony Computer Science Laboratory berichtete von den Forschungsproblemen der Pharmaindustrie, die immer mehr investieren muss und dennoch immer weniger neue Medikamente findet. In dieser Situation wird es nach seiner Aussage immer sinnvoller, Kombinationen bereits entwickelter Wirkstoffe darauf [...]</summary>
    <content type="xhtml"><div xmlns="http://www.w3.org/1999/xhtml"><p>Hier nachgereicht noch ein Best-of der Keynotes der zweiten Hälfte des iSummit 08:</p>
<p><strong>Open Source Pharmaindustrie</strong></p>
<p><a href="http://www.sonycsl.co.jp/lab/frl/hiroaki-kitano.html">Dr. Hiroaki Kitano</a> vom Sony Computer Science Laboratory berichtete von den Forschungsproblemen der Pharmaindustrie, die immer mehr investieren muss und dennoch immer weniger neue Medikamente findet. In dieser Situation wird es nach seiner Aussage immer sinnvoller, Kombinationen bereits entwickelter Wirkstoffe darauf zu untersuchen, ob sie unvorhergesehene Heilungserfolge bringen. Statistisch sei das bei einem gewissen Prozentsatz der Fall, allerdings gehe die Zahl möglicher Kombinationen ins Astronomische. Es sei daher nicht nur unwirtschaftlich sondern grundsätzlich unmöglich, dass jeder Pharmaproduzent alle Kombinationen für sich hinter verschlossenen Türen testet. Vielmehr sei man auf arbeitsteiliges Testen und die Ergebnisse der anderen angewiesen, um mögliche Erfolgskombinationen eingrenzen zu können.</p>
<p>Ob der zunehmenden Wichtigkeit dieser Kombinationsforschung sieht Dr. Kitano hier ein ganz neues Paradigma in der Entstehung, das er Open Pharma nennt. Um das Ganze in Fahrt zu bringen wurde nun im japanischen Okinawa ein System namens PAYAO etabliert, ein “community-basiertes Ansammlungssystem für biologisches Wissen” [<a href="http://celldesigner.org/payao/pub/PAYAO_poster1_0803.pdf">PDF</a>]. Es handelt sich dabei um eine funktionsreiche Annotations-Plattform, auf der Wissenschaftler ihre Forschungserkenntnisse hinterlegen und miteinander diskutieren können. Die gesammelten Informationen können kombiniert und auf verschiedene Arten dargestellt werden.</p>
<p>(Über verwendete Lizenzen war leider nichts Genaueres zu erfahren)</p>
<p><strong>Open Content: Rückblick auf die letzten Jahre</strong></p>
<p>David Wiley gab eine kleine Geschichtsstunde zur Entwicklung der Initiativen rund um die Ideen von freier Software und Open Content, angefangen bei Richard Stallman und Eric S. Raymond über Wileys eigene OpenPrinciples/License bzw. <a href="http://www.opencontent.org/openpub/">Open Publication License</a> (1998), die Creative-Commons-Lizenzen 1.0, die Etablierung des Konzepts der Open Educational Resources durch die Unesco (2003), das <a href="http://ocw.mit.edu">OpenCourseWare</a>-Programm des MIT bis zu den CC-Lizenzen 3.0 und der GFDL heute. Ein Schelm wer ihm dabei unterstellen würde, dass er auch gerne mal drauf hinweisen wollte, dass Lawrence Lessig nicht wirklich der Erfinder der Idee eines allgemeinen Lizenzmodells jenseits der GPL war. Wiley zufolge wurden mit den CC-Lizenzen viele Schwächen der OPL behoben und er dankte unter Applaus dem im Auditorium sitzenden Lessig dafür, dass er die Idee zum Erfolg geführt habe.</p>
<p>Aber für die Zukunft seien noch genug Probleme übrig, wie etwa das der Kompatibilität verschiedener Lizenzen untereinander, die Definition von “nicht kommerziell” oder auch die potenziellen Probleme aus der in vielen Lizenzen zu findenden Verbindung von Unwiderruflichkeit und salvatorischer Klausel. Als vielversprechenden praktischen Ansatz erwähnte Wiley das von ihm mitinitiierte Projekt <a href="http://openhighschool.org">Open Highschool of Utah</a>, einer gebührenfreien Oberschule, bei der ausschließlich freie Inhalte zum Einsatz kommen. Deswegen kann das Unterrichtsmaterial stetig angepasst und verbessert werden. Außerdem verwies er auf flatworld knowledge, seinen Verlag für akademische Werke, bei dem durchweg frei lizenziert wird. Alle Bücher sind online kostenlos erhältlich und können ansonsten für nach Druckqualität gestaffelte Preise auch gekauft werden.</p>
<p><strong>Japan mit rechtlichem Klotz am Bein</strong></p>
<p>Nicht weniger als ein Urheberrecht für das 21. Jahrhundert kündigte Tsuguhiko Kadokawa in seiner Keynote an. Er ist CEO und Vorstandsvorsitzender u. a. eines der <a href="http://www.kadokawa-hd.co.jp">größten japanischen Verlagskonsortien</a> (vor allem für Anime) und Mitglied eines Regierungsausschusses zum Bereich Urheberrecht. Die Rede ist von einer umfassenden Urheberrechtsreform in Japan, nach der die Interessen der Rechteinhaber und Nutzer besser austariert sein sollen und die bereits in Teilen Gestalt angenommen hat. Eine wichtigen Faktor in der Entwicklung in Japan bildet dieser Darstellung nach YouTube. Fast war in diesem Vortrag sogar so etwas wie Besessenheit mit dem Phänomen YouTube spürbar. Kadokawa zufolge war man angesichts des Umfangs des dort auftauchenden kommerziellen Contents zuweilen wirklich entschlossen, YouTube komplett aus Japan heraus zuhalten (wie auch immer das hätte gehen sollen). Als YouTube dann allerdings von Google gekauft wurde, war den Japanern offenbar ziemlich schnell klar, dass man den ausgewilderten Content nicht dauerhaft würde verhindern können, wohl aber legalisieren könnte.</p>
<p>YouTube hat in der Folge einen entsprechenden Kooperationsvertrag mit japanischen Musikproduzenten geschlossen. Etwas ähnliches ist bzgl. Anime geplant, allerdings weitgehend auf Einzelfallbasis mit dem jeweiligen Anime-Urheber, vermittelt über den jeweiligen Verlag. Es soll eine Art freundliche Aufforderung zur Einwilligung in die Verbreitung über YouTube sein - gegen pauschale Vergütung versteht sich. Es gehe dabei um “Liebe und Respekt” für die Arbeit der Urheber, also eine Art offizielles Anerkennungssystem in Kooperation mit YouTube.</p>
<p>Die genannte Urheberrechtsreform diene insgesamt vor allem einem besseren Schutz von 100 Millionen japanischen Urhebern (auf diese Zahl kommt Kadokawa offenbar, indem er die zukünftig erwartete Zahl japanischer Laptop-Besitzer mit der Zahl potenzieller zukünftiger Urheber gleichsetzt), aber auch dem Schutz der klassischen Rechteinhaber und -verwerter. Wertvolle Erkenntnisse habe man auch aus den Büchern und Erläuterungen von Lawrence Lessig gezogen und werde sie berücksichtigen. An konkret geplanten Schritten, deren Einzelheiten bis März 2009 noch ausgearbeitet werden sollen, nannte Kadokawa: Suchservices würden legalisiert (!), Caching werde legalisiert, Beschränkungen des Urheberrechts zugunsten von Universitäten würden geschaffen und Reverse Engineering werde legalisiert (wobei anhand der Simultanübersetzung nicht klar wurde, was mit letzterem gemeint war).</p>
<p>Und es wird wohl eine Art Fair-Use-Prinzip in Japan etabliert, womit Japan also dem US-amerikanischen Ansatz einer letztendlich gerichtlich auszugestaltenden, generellen Ausnahme vom Urheberrechtsschutz zu folgen scheint. Zugleich soll aber auch die Durchsetzung von Urheberrechten erleichtert werden.</p></div>
    </content>
    <updated>2008-08-14T15:06:47Z</updated>
    <category term="Digital Rights"/>
    <category term="Events"/>
    <category term="creative commons"/>
    <category term="isummit08"/>
    <category term="Urheberrecht"/>
    <category term="Wissenschaft"/>
    <category term="youtube"/>
    <author>
      <name>john</name>
    </author>
    <source>
      <id>http://netzpolitik.org</id>
      <link href="http://netzpolitik.org/category/creative-commons/feed" rel="self" type="application/atom+xml"/>
      <link href="http://netzpolitik.org" rel="alternate" type="text/html"/>
      <link href="http%3A//creativecommons.org/licenses/by-nc-sa/3.0/de/" rel="license"/>
      <subtitle>Aktuelle Berichterstattung rund um die politischen Themen der Informationsgesellschaft.</subtitle>
      <title>netzpolitik.org » creative commons</title>
      <updated>2008-08-20T20:40:14Z</updated>
    </source>
  </entry>

  <entry xml:lang="en">
    <id>http://creativecommons.nl/?p=391</id>
    <link href="http://creativecommons.nl/2008/08/14/amerikaans-hof-inbreuk-op-cc-licenties-vervolgbaar/" rel="alternate" type="text/html"/>
    <title>Amerikaans hof: inbreuk op CC licenties vervolgbaar</title>
    <summary>Het  United States Court of Appeals for the Federal Circuit (CAFC), deed deze week een baanbrekende uitspraak door te stellen dat inbreuk op de voorwaarden die gesteld worden in ‘publieke licenties’ wel degelijk vervolgbaar zijn als inbreuk op het auteursrecht. Het hof verwees in haar uitspraak in de zaak Jacobsen vs. Katzer expliciet naar [...]</summary>
    <content type="xhtml"><div xmlns="http://www.w3.org/1999/xhtml"><p>Het  United States Court of Appeals for the Federal Circuit (<a href="http://www.cafc.uscourts.gov/">CAFC</a>), deed deze week een baanbrekende <a href="http://www.cafc.uscourts.gov/opinions/08-1001.pdf">uitspraak</a> door te stellen dat inbreuk op de voorwaarden die gesteld worden in ‘publieke licenties’ wel degelijk vervolgbaar zijn als inbreuk op het auteursrecht. Het hof verwees in haar uitspraak in de zaak Jacobsen vs. Katzer expliciet naar Creative Commons licenties.</p>
<p style="text-align: center;"><img alt="" class="alignnone" height="146" src="http://www.cafc.uscourts.gov/images/fedcir.gif" width="145"/></p>
<p>Open content licenties zoals CC - en  open source licenties zoals bijvoorbeeld de software licentie <a href="http://www.gnu.org/copyleft/gpl.html">GPL</a> -  stellen voorwaarden aan het gebruik van materiaal. Vaak is een voorwaarde dat verwezen wordt naar de maker van het oorspronkelijke werk. Wie zich niet aan die voorwaarden houdt, pleegt, zo stelt deze uitspraak, inbreuk op de auteursrecht van de gebruiker. In een eerdere uitspraak door een lager gerechtshof werd nog gesteld dat dit slechts contractbreuk was.</p>
<p>Hiermee wordt indirect ook de opvatting van de Amsterdamse rechtbank bevestigd die in de zaak <a href="http://creativecommons.nl/2006/03/10/curry-wint-zaak-creative-commons/">Curry vs. Weekend</a> bepaalde dat het niet navolgen van de NietCommercieel bepaling van een Creative Commons licentie gelijk staat aan inbreuk maken op het auteursrecht van de licentiegever.</p>
<p>Deze uitspraken tonen aan dat werk dat vrijgegeven wordt onder een Creative Commons licentie even ’sterk’ beschermd is als werk waarvan alle rechten voorbehouden zijn. Mede-oprichter van Creative Commons <a href="http://creativecommons.org/about/people/#0">Lawrence Lessing</a> verwoord het op zijn <a href="http://lessig.org/blog/2008/08/huge_and_important_news_free_l.html">blog</a> als volgt:</p>
<blockquote><p>“… When you violate the condition, the license disappears, meaning you’re simply a copyright infringer. This is the theory of the GPL and all CC licenses. Put precisely, whether or not they are also contracts, they are copyright licenses which expire if you fail to abide by the terms of the license.”</p></blockquote>
<p>Het CAFC stelt volgens een <a href="http://creativecommons.org/weblog/entry/8826">bericht</a> van Creatve Commons in de VS daarnaast dat het veronachtzamen van verwijzing naar de auteur economische- en reputatieschade oplevert voor de maker van het oorspronkelijke werk. Hierin bevestigd het hof dat verwijzing een basaal economisch principe is op het internet en een waardevol economische recht in de kenniseconomie.</p>
<p>Creative Commons stuurde een<em> <a href="http://jmri.sourceforge.net/k/docket/cafc-pi-1/ccc_brf.pdf">‘</a></em><a href="http://jmri.sourceforge.net/k/docket/cafc-pi-1/ccc_brf.pdf">friends of the court’ brief</a> in deze zaak, waarin ze samen met  de cosponsors van de <a href="http://www.linuxfoundation.org/en/Main_Page">Linux Foundation</a>, <a href="http://www.opensource.org/">the Open Source Initiative</a>, het <a href="http://www.softwarefreedom.org/">Software Freedom Law Center</a>, de <a href="http://www.perlfoundation.org/">Perl Foundation</a> en de <a href="http://wikimediafoundation.org/wiki/Home">Wikimedia Foundation</a> de casus uitwerkten.</p></div>
    </content>
    <updated>2008-08-14T14:43:19Z</updated>
    <category term="Uncategorized"/>
    <author>
      <name>Joanne</name>
    </author>
    <source>
      <id>http://creativecommons.nl</id>
      <link href="http://creativecommons.nl/feed/" rel="self" type="application/atom+xml"/>
      <link href="http://creativecommons.nl" rel="alternate" type="text/html"/>
      <title>Creative Commons Nederland</title>
      <updated>2008-08-20T18:47:42Z</updated>
    </source>
  </entry>

  <entry xml:lang="en">
    <id>http://de.creativecommons.org/?p=65</id>
    <link href="http://de.creativecommons.org/freie-lizenzen-gewinnen-vor-us-gericht/" rel="alternate" type="text/html"/>
    <link href="http://creativecommons.org/licenses/by/2.0/de/" rel="license"/>
    <title>Freie Lizenzen gewinnen vor US-Gericht</title>
    <summary>Vor dem höchsten US-Gericht für IP-Fragen wurde jetzt eine Entscheidung im Sinne freier und offener Lizenzen getroffen. Die Futurezone beschreibt den Fall: US-Gericht schützt freie Lizenzen.
Konkret ging es um den Fall Jacobsen vs. Katzer. Der Programmierer Robert Jacobsen hatte eine Java-Software zur Steuerung von Modelleisenbahnen unter der freien Artistic License [1.0] kostenlos ins Netz gestellt. [...]</summary>
    <content type="xhtml"><div xmlns="http://www.w3.org/1999/xhtml"><p>Vor dem höchsten US-Gericht für IP-Fragen wurde jetzt eine Entscheidung im Sinne freier und offener Lizenzen getroffen. Die Futurezone beschreibt den Fall: <a href="http://futurezone.orf.at/it/stories/300120/">US-Gericht schützt freie Lizenzen.</a></p>
<blockquote><p>Konkret ging es um den Fall Jacobsen vs. Katzer. Der Programmierer Robert Jacobsen hatte eine Java-Software zur Steuerung von Modelleisenbahnen unter der freien Artistic License [1.0] kostenlos ins Netz gestellt. Die Artistic License verpflichtet Programmierer, die den unter ihr veröffentlichten Code weiterverwenden dazu, ihr Programm unter den gleichen Bedingungen zu verbreiten. Die Firma Matthew Katzer and Kamind Associates, die Software für Modelleisenbahnen entwickelt, hatte Katzers Code in eines ihrer Produkte integriert und diese ohne Nennung des ursprünglichen Autors weiterverkauft, schreibt das Gericht. Das hätten sie nach den Bestimmungen der Artistic License nicht tun dürfen. Jacobsen klagte Katzer/Kamind 2006 wegen Urheberrechtsverletzung, nachdem diese ihn ihrerseits mit Klage wegen Patentverletzung gedroht hatten.</p></blockquote>
<p>Die Entscheidung ist logisch und bestätigt die Wirksamkeit von freien und offenen Lizenzen. Wenn sich nicht an die Bedingungen der Lizenz gehalten wird, kommt der Lizenzvertrag mit der Gewährung von Nutzungsfreiheiten nicht zustande und es entsteht eine normale Urheberrechtsverletzung. Ein ähnliches Urteil haben wir in Deutschland schon rund um die Frage von GPL-Violations gehabt. Freut mich, dass es jetzt auch ein Musterurteil in den USA gibt.</p>
<p>Creative Commons kommentiert das US-Urteil:<a href="http://creativecommons.org/weblog/entry/8826"> THE “IP” Court Supports Enforceability of CC Licenses.</a></p>
<blockquote><p>The Court held that free licenses such as the CC licenses set conditions (rather than covenants) on the use of copyrighted work.  As a result, licensors using public licenses are able to seek injunctive relief for alleged copyright infringement, rather than being limited to traditional contract remedies. Creative Commons founder Lawrence Lessig explained the theory of all free software, open source, and Creative Commons licenses upheld by the court: “When you violate the condition, the license disappears, meaning you’re simply a copyright infringer. This is the theory of the GPL and all CC licenses. Put precisely, whether or not they are also contracts, they are copyright licenses which expire if you fail to abide by the terms of the license.” Lessig said the ruling provided “important clarity and certainty by a critically important US Court.”</p></blockquote>
<p>Siehe auch: <a href="http://arstechnica.com/news.ars/post/20080813-court-violating-copyleft-copyright-infringement.html">Court: violating copyleft = copyright infringement.</a></p></div>
    </content>
    <updated>2008-08-14T14:43:16Z</updated>
    <category term="News"/>
    <category term="usa"/>
    <author>
      <name>markus</name>
    </author>
    <source>
      <id>http://de.creativecommons.org</id>
      <link href="http://de.creativecommons.org/feed" rel="self" type="application/atom+xml"/>
      <link href="http://de.creativecommons.org" rel="alternate" type="text/html"/>
      <link href="http://creativecommons.org/licenses/by/2.0/de/" rel="license"/>
      <subtitle>Manche Rechte vorbehalten</subtitle>
      <title>Creative Commons Deutschland</title>
      <updated>2008-08-18T14:50:44Z</updated>
    </source>
  </entry>

  <entry xml:lang="en">
    <id>http://fredbenenson.com/blog/?p=56</id>
    <link href="http://fredbenenson.com/blog/2008/08/14/upholding-open-source-licenses/" rel="alternate" type="text/html"/>
    <title>Upholding Open Source Licenses</title>
    <summary>Lessig posted yesterday about the United States Court of Appeals for the Federal Circuit’s ruling upholding  the “Artistic License“:
I am very proud to report today that the Court of Appeals for the Federal Circuit (THE “IP” court in the US) has upheld a free (ok, they call them “open source”) copyright license, explicitly pointing to [...]</summary>
    <content type="xhtml"><div xmlns="http://www.w3.org/1999/xhtml"><p><a href="http://lessig.org/blog/2008/08/huge_and_important_news_free_l.html">Lessig posted yesterday</a> about the United States Court of Appeals for the Federal Circuit’s ruling upholding  the “<a href="http://en.wikipedia.org/wiki/Artistic_License">Artistic License</a>“:</p>
<blockquote><p>I am very proud to report today that the Court of Appeals for the Federal Circuit (THE “IP” court in the US) has <a href="http://www.cafc.uscourts.gov/opinions/08-1001.pdf">upheld a free (ok, they call them “open source”) copyright license</a>, explicitly pointing to the work of <a href="http://creativecommons.org/">Creative Commons</a> and others. (The specific license at issue was the <a href="http://www.opensource.org/licenses/artistic-license.php">Artistic License</a>.) This is a very important victory, and I am very very happy that the <a href="http://cyberlaw.stanford.edu/">Stanford Center for Internet and Society</a> played a key role in securing it. Congratulations especially to <a href="http://cyberlaw.stanford.edu/profile/chris-ridder">Chris Ridder</a> and <a href="http://cyberlaw.stanford.edu/profile/anthony-falzone">Anthony Falzone</a> at the Center.</p>
<p>In non-technical terms, the Court has held that free licenses such as the CC licenses set conditions (rather than covenants) on the use of copyrighted work. When you violate the condition, the license disappears, meaning you’re simply a copyright infringer. This is the theory of the GPL and all CC licenses. Put precisely, whether or not they are also contracts, they are copyright licenses which expire if you fail to abide by the terms of the license.</p>
<p>Important clarity and certainty by a critically important US Court.</p></blockquote>
<p>As Lessig points out this is incredibly important, and in the long and short term, will <a href="http://creativecommons.org/about/people/#98">make my job</a> a lot easier.</p>
<p>Every time I get into a conversation with someone who is fairly legally minded regarding Creative Commons, they ask me, “But does it actually work?” meaning, does the law actually pay attention to these licenses that CC puts out? If someone breaks my CC license, will judges even care? Previously I’ve had to point to <a href="http://creativecommons.org/weblog/entry/7228">two</a> <a href="http://creativecommons.org/weblog/entry/5823">international</a> cases where CC licenses were upheld but demurely note that they haven’t, yet, been tested in the United States.</p>
<p>Now they have effectively been tested on a federal appeals level and have passed with flying colors. Aside from a Supreme Court decision, the free software and culture movement couldn’t have asked for anything better from the courts.</p>
<p><a href="http://www.cafc.uscourts.gov/opinions/08-1001.pdf">An excerpt from the opinion</a>:</p>
<blockquote><p>Open source licensing has become a widely used method of creative collaboration that serves to advance the arts and sciences in a manner and at a pace that few could have imagined just a few decades ago.  For example, the Massachusetts Institute of Technology (”MIT”) uses a Creative Commons public license for an OpenCourseWare project that licenses all 1800 MIT courses.  Other public licenses support the GNU/Linux operating system, the Perl programming language, the Apache web server programs, the Firefox web browser, and a collaborative web-based encyclopedia called Wikipedia.  Creative Commons notes that, by some estimates, there are close to 100,000,000 works licensed under various Creative Commons licenses.  The Wikimedia Foundation, another of the amici curiae, estimates that the Wikipedia website has more than 75,000 active contributors working on some 9,000,000 articles in more than 250 languages.</p></blockquote>
<p>It’s important to understand that the case isn’t testing a particular CC license per se, but testing a class of “open source” licenses which CC belongs to while underscoring the importance of licenses such as the six that CC stewards.</p>
<p>Anyway, congratulations to everyone at Stanford and JMRI for winning the case.</p></div>
    </content>
    <updated>2008-08-14T14:39:27Z</updated>
    <category term="Creative Commons"/>
    <author>
      <name>Fred</name>
    </author>
    <source>
      <id>http://fredbenenson.com/blog</id>
      <link href="http://fredbenenson.com/blog/category/creative-commons/feed" rel="self" type="application/atom+xml"/>
      <link href="http://fredbenenson.com/blog" rel="alternate" type="text/html"/>
      <subtitle>Because I don't like character limits.</subtitle>
      <title>Fred Benenson's Blog » Creative Commons</title>
      <updated>2008-08-20T14:08:44Z</updated>
    </source>
  </entry>

  <entry xml:lang="en">
    <id>http://cn.creativecommons.org/index.php/2008/08/14/0814/</id>
    <link href="http://cn.creativecommons.org/index.php/2008/08/14/0814/" rel="alternate" type="text/html"/>
    <title>微软研究院发布新的知识分享工具</title>
    <summary>文/Kaitlin Thaney 2008年8月1日 
微软研究院最近发布了一系列插件，用以使微软那些广受欢迎的产品在科技领域更加实用。这些插件包括可以使研究文献按照出版商或数字档案馆的要求进行创制、共享和保存的工具。这里要介绍这套插件，包括适用于office 2007的知识共享协议插件（Creative Commons Add-in，简称CC插件），它使得任何人都可以直接将知识共享协议加入他们发布的文件。
使用CC插件时，你在知识共享组织的网站上选择合适的许可协议表明别人可以在何种程度上使用你的作品，嵌入的许可协议链接能够连接到知识共享组织网站上的许可协议，同时一段协议的机读代码也会被存储在office open XML 文件中。
高等教育编年杂志（Chronicle of Higher Education）这样报道插件的发布：为帮助专家学者及出版商撰写、编辑及出版学术性文章，本周微软公司发布了一系列新的软件工具，用于帮助专家学者及出版商撰写，编辑及出版学术性文章，这些工具也有助于解决复杂的版权问题、便于查找以及分享学术数据。
例如，用于Word 2007的文章编写插件（Article Authoring Add-in）可以使创作者在写作时可以按照出版商或数字档案馆的要求，对文件进行相应的编排和注释。这样一来，文章就可以轻松地转换为所希望的格式，有利于数字存储及长期保存。微软公司向Word及其他产品的授权用户免费提供这类新型软件以及其他微软产品，以便使用者可以生成一些以医药国家图书馆制作的并被广泛使用的格式编辑的文档，用于生物医学界的同行评议以及生命科学杂志文献如PubMed Central。 当然由于这些插件是完全开放并可自由修改，使用者也因此可以对这些软件进行改动以满足其他格式的要求， 
“以前我们并不强调广泛传播Office、Excel、Sharepoint等软件，也没有开发其他程序以使这些软件对科学更加有用”，微软公司外部研发部副总裁Tony Hey说，“比方说，Word当初并不是为科技文献的文字处理而开发的。但是我们现在决定试试，看我们能否可以让这些软件更有用。”他还说，微软公司其实也是顺应研究人员的需求，给他们提供更强大的文献数据检索服务。事实上，国家健康研究院（National Institutes of Health）早已要求其赞助的研究文献须自出版一年内存储于PubMed Central，哈佛大学法学院以及艺术和科学类各学院都有类似的要求。
这些程序的开发提高了人们对版权以及存档文献合理使用问题的关注。为帮助创作者、出版商和数据库在以微软Office文档形式存储的信息种嵌入版权信息和许可协议，微软公司还发布了其他一些免费产品，名称为Office 2007知识共享许可协议插件。科学共享项目（Science Commons）成员去年参观了位于西雅图的插件程序研究团队，对研发工作给予了高度的评价。“在我们如何管理科技知识方面，有许多根本性的转变发生，这些转变导致产生了对新工具的需求，这些新工具增加了我们对知识分享与合作的选项”， 知识共享组织科学共享项目副主任John Wilbanks说。“我们很高兴微软开发这些软件以满足这类需求”。
本文转自：http://creativecommons.org/  编译：郑毅</summary>
    <updated>2008-08-14T10:57:38Z</updated>
    <category term="CC&#x56FD;&#x9645;&#x52A8;&#x6001;"/>
    <author>
      <name>zhuzi</name>
    </author>
    <source>
      <id>http://cn.creativecommons.org</id>
      <link href="http://cn.creativecommons.org" rel="alternate" type="text/html"/>
      <link href="http://cn.creativecommons.org/index.php/feed/" rel="self" type="application/rss+xml"/>
      <subtitle>知识共享中国大陆项目官方网站</subtitle>
      <title>知识共享@中国大陆</title>
      <updated>2008-08-14T11:04:45Z</updated>
    </source>
  </entry>

  <entry xml:lang="en">
    <id>http://netzpolitik.org/2008/freie-lizenzen-gewinnen-vor-us-gericht/</id>
    <link href="http://netzpolitik.org/2008/freie-lizenzen-gewinnen-vor-us-gericht/" rel="alternate" type="text/html"/>
    <link href="http%3A//creativecommons.org/licenses/by-nc-sa/3.0/de/" rel="license"/>
    <title>Freie Lizenzen gewinnen vor US-Gericht</title>
    <summary>Vor dem höchsten US-Gericht für IP-Fragen wurde jetzt eine Entscheidung im Sinne freier und offener Lizenzen getroffen. Die Futurezone beschreibt den Fall: US-Gericht schützt freie Lizenzen.

Konkret ging es um den Fall Jacobsen vs. Katzer. Der Programmierer Robert Jacobsen hatte eine Java-Software zur Steuerung von Modelleisenbahnen unter der freien Artistic License [1.0] kostenlos ins Netz gestellt. [...]</summary>
    <content type="xhtml"><div xmlns="http://www.w3.org/1999/xhtml"><p>Vor dem höchsten US-Gericht für IP-Fragen wurde jetzt eine Entscheidung im Sinne freier und offener Lizenzen getroffen. Die Futurezone beschreibt den Fall: <a href="http://futurezone.orf.at/it/stories/300120/">US-Gericht schützt freie Lizenzen.</a></p>
<blockquote><p>Konkret ging es um den Fall Jacobsen vs. Katzer. Der Programmierer Robert Jacobsen hatte eine Java-Software zur Steuerung von Modelleisenbahnen unter der freien Artistic License [1.0] kostenlos ins Netz gestellt. Die Artistic License verpflichtet Programmierer, die den unter ihr veröffentlichten Code weiterverwenden dazu, ihr Programm unter den gleichen Bedingungen zu verbreiten. Die Firma Matthew Katzer and Kamind Associates, die Software für Modelleisenbahnen entwickelt, hatte Katzers Code in eines ihrer Produkte integriert und diese ohne Nennung des ursprünglichen Autors weiterverkauft, schreibt das Gericht. Das hätten sie nach den Bestimmungen der Artistic License nicht tun dürfen. Jacobsen klagte Katzer/Kamind 2006 wegen Urheberrechtsverletzung, nachdem diese ihn ihrerseits mit Klage wegen Patentverletzung gedroht hatten.</p></blockquote>
<p>Die Entscheidung ist logisch und bestätigt die Wirksamkeit von freien und offenen Lizenzen. Wenn sich nicht an die Bedingungen der Lizenz gehalten wird, kommt der Lizenzvertrag mit der Gewährung von Nutzungsfreiheiten nicht zustande und es entsteht eine normale Urheberrechtsverletzung. Ein ähnliches Urteil haben wir in Deutschland schon rund um die Frage von GPL-Violations gehabt. Freut mich, dass es jetzt auch ein Musterurteil in den USA gibt.</p>
<p>Creative Commons kommentiert das US-Urteil:<a href="http://creativecommons.org/weblog/entry/8826"> THE “IP” Court Supports Enforceability of CC Licenses.</a></p>
<blockquote><p>The Court held that free licenses such as the CC licenses set conditions (rather than covenants) on the use of copyrighted work.  As a result, licensors using public licenses are able to seek injunctive relief for alleged copyright infringement, rather than being limited to traditional contract remedies. Creative Commons founder Lawrence Lessig explained the theory of all free software, open source, and Creative Commons licenses upheld by the court: “When you violate the condition, the license disappears, meaning you’re simply a copyright infringer. This is the theory of the GPL and all CC licenses. Put precisely, whether or not they are also contracts, they are copyright licenses which expire if you fail to abide by the terms of the license.” Lessig said the ruling provided “important clarity and certainty by a critically important US Court.”</p></blockquote>
<p>Siehe auch: <a href="http://arstechnica.com/news.ars/post/20080813-court-violating-copyleft-copyright-infringement.html">Court: violating copyleft = copyright infringement.</a></p></div>
    </content>
    <updated>2008-08-14T10:25:45Z</updated>
    <category term="Digital Rights"/>
    <category term="Digitalkultur"/>
    <category term="USA"/>
    <category term="Urheberrecht"/>
    <category term="creative commons"/>
    <category term="Freie Software"/>
    <category term="Gerichte"/>
    <category term="Lizenzen"/>
    <author>
      <name>markus</name>
    </author>
    <source>
      <id>http://netzpolitik.org</id>
      <link href="http://netzpolitik.org/category/creative-commons/feed" rel="self" type="application/atom+xml"/>
      <link href="http://netzpolitik.org" rel="alternate" type="text/html"/>
      <link href="http%3A//creativecommons.org/licenses/by-nc-sa/3.0/de/" rel="license"/>
      <subtitle>Aktuelle Berichterstattung rund um die politischen Themen der Informationsgesellschaft.</subtitle>
      <title>netzpolitik.org » creative commons</title>
      <updated>2008-08-20T20:40:14Z</updated>
    </source>
  </entry>

  <entry>
    <id>tag:blogger.com,1999:blog-3385820776751654159.post-5162688540469619745</id>
    <link href="http://feeds.feedburner.com/~r/ccthroughthelookingglass/~3/364465752/some-south-australian-governent.html" rel="alternate" type="text/html"/>
    <title/>
    <summary>some south australian governent departments are looking at cc as a licensing model</summary>
    <updated>2008-08-14T03:53:00Z</updated><feedburner:origlink xmlns:feedburner="http://rssnamespace.org/feedburner/ext/1.0">http://ccelliott.blogspot.com/2008/08/some-south-australian-governent.html</feedburner:origlink>
    <author>
      <name>elliott bledsoe</name>
      <email>noreply@blogger.com</email>
    </author>
    <source>
      <id>tag:blogger.com,1999:blog-3385820776751654159</id>
      <author>
        <name>elliott bledsoe</name>
        <email>noreply@blogger.com</email>
      </author>
      <link href="http://ccelliott.blogspot.com/" rel="alternate" type="text/html"/>
      <link href="http://feeds.feedburner.com/ccthroughthelookingglass" rel="self" type="application/atom+xml"/>
      <title>creative commons through the looking glass</title>
      <updated>2008-08-19T08:02:25Z</updated>
    </source>
  </entry>

  <entry xml:lang="en">
    <id>http://creativecommons.org/?p=8826</id>
    <link href="http://creativecommons.org/weblog/entry/8826" rel="alternate" type="text/html"/>
    <title>THE “IP” Court Supports Enforceability of CC Licenses</title>
    <summary>The United States Court of Appeals held that “Open Source” or public license licensors are entitled to copyright infringement relief.
The Court of Appeals for the Federal Circuit (CAFC), the leading IP court in the United States, has upheld a free copyright license, while explicitly pointing to the work of Creative Commons and others. The Court [...]</summary>
    <content type="xhtml"><div xmlns="http://www.w3.org/1999/xhtml"><p class="western">
</p><p class="western"><span>The United States Court of Appeals held that “Open Source” or public license licensors are entitled to copyright infringement relief.</span></p>
<p>The Court of Appeals for the Federal Circuit (CAFC), the leading IP court in the United States, has upheld a free copyright license, while explicitly pointing to the work of Creative Commons and others. The Court held that free licenses such as the CC licenses set conditions (rather than covenants) on the use of copyrighted work.  As a result, licensors using public licenses are able to seek injunctive relief for alleged copyright infringement, rather than being limited to traditional contract remedies.</p>
<p>Creative Commons founder <a href="http://www.lessig.org/blog/">Lawrence Lessig</a> explained the theory of all free software, open source, and Creative Commons licenses upheld by the court: “When you violate the condition, the license disappears, meaning you’re simply a copyright infringer. This is the theory of the GPL and all CC licenses. Put precisely, whether or not they are also contracts, they are copyright licenses which expire if you fail to abide by the terms of the license.” Lessig said the ruling provided “important clarity and certainty by a critically important US Court.”</p>
<p>Today’s ruling vacated the district court’s decision and affirmed the availability of remedies based on copyright law for violations of open licenses.  The federal court noted that ignoring attribution requirements contained in the license caused reputation and economic harm to the original licensor. This opinion demonstrates a strong understanding of a basic economic principles of the internet; attribution is a valuable economic right in the information economy.  <a href="http://www.cafc.uscourts.gov/opinions/08-1001.pdf">Read the full opinion</a>.(PDF)</p>
<p align="justify">
</p><p>Creative Commons filed a<em> </em>friends of the court brief in this case. Thanks to all the cosponsors <a href="http://www.linuxfoundation.org/en/Main_Page">Linux Foundation</a>, <a href="http://www.opensource.org/">The Open Source Initiative</a>, <a href="http://www.softwarefreedom.org/">Software Freedom Law Center</a>, <a href="http://www.perlfoundation.org/">the Perl Foundation</a> and <a href="http://wikimediafoundation.org/wiki/Home">Wikimedia Foundation</a>.  Significant pro bono work on this brief was provided by <a href="http://cyberlaw.stanford.edu/profile/anthony-falzone">Anthony T. Falzone</a> and<a href="http://www.linkedin.com/in/cridder"> Christopher K. Ridder </a> of <a href="http://cyberlaw.stanford.edu/">Stanford’s Center for Internet &amp; Society</a>. <a href="http://jmri.sourceforge.net/k/docket/cafc-pi-1/ccc_brf.pdf" id="w0.." title="http://jmri.sourceforge.net/k/docket/cafc-pi-1/ccc_brf.pdf">Read the full brief.</a></p>
<p><a href="http://creativecommons.org/press-releases/entry/8838">Full Press Release</a></p></div>
    </content>
    <updated>2008-08-14T00:08:16Z</updated>
    <category term="Weblog"/>
    <author>
      <name>Brian Rowe</name>
    </author>
    <source>
      <id>http://creativecommons.org</id>
      <link href="http://creativecommons.org/weblog/rss" rel="self" type="application/atom+xml"/>
      <link href="http://creativecommons.org" rel="alternate" type="text/html"/>
      <subtitle>Share, reuse, and remix — legally.</subtitle>
      <title>Creative Commons » CC News</title>
      <updated>2008-08-20T17:40:03Z</updated>
    </source>
  </entry>

  <entry xml:lang="en">
    <id>http://co.creativecommons.org/?p=26</id>
    <link href="http://co.creativecommons.org/2008/08/13/corte-en-eeuu-%c2%a1espaldarazo-a-las-licencias-libres/" rel="alternate" type="text/html"/>
    <title>Corte en EEUU: ¡Espaldarazo a las licencias libres!</title>
    <summary>Traducido del blog de Lessig:
“Gran e importante noticia: Licencias libres ratificadas
Para los que no son “geeks” del derecho esto puede no ser importante. Pero, créanme, es grande.
Estoy muy orgulloso de reportarles hoy que la Corte de Apelación para el Circuito Federal (LA corte para Propiedad Intelectual en los EEUU) ha ratificado una licencia libre del [...]</summary>
    <content type="xhtml"><div xmlns="http://www.w3.org/1999/xhtml"><p><a href="http://lessig.org/blog/2008/08/huge_and_important_news_free_l.html">Traducido del blog de Lessig</a>:</p>
<blockquote><p><em><strong>“Gran e importante noticia: Licencias libres ratificadas</strong></em></p><em>
<p>Para los que no son “geeks” del derecho esto puede no ser importante. Pero, créanme, es grande.</p>
<p>Estoy muy orgulloso de reportarles hoy que la Corte de Apelación para el Circuito Federal (LA corte para Propiedad Intelectual en los EEUU) ha ratificado una <a href="http://www.cafc.uscourts.gov/opinions/08-1001.pdf">licencia libre del copyright (ok, la llaman “open source”- “código abierto”)</a>, explícitamente señalando el trabajo de Creative Commons y otros. (La licencia específica en cuestión fue la Artistic License). Esta es una importante victoria y yo estoy muy muy contento del papel central del <a href="http://cyberlaw.stanford.edu/">Stanford Center for Internet and Society</a> en su consecución. Felicidades especialmente a <a href="http://cyberlaw.stanford.edu/profile/chris-ridder">Chris Ridder</a> y <a href="http://co.creativecommons.org/feed/Anthony Falzone">Anthony Falzone</a> en este Centro.</p>
<p>En términos no-técnicos, la Corte sostuvo que las licencias libres, como las licencias CC, establecen condiciones (más que pactos) para el uso de trabajos sujetos al Copyrigth (derecho de autor). Cuando usted viola la condición, la licencia desaparece, lo que significa que usted es simplemente un infractor del copyright. Esta es la teoría de la GPL y de todas las licencias CC. Dicho en forma más precisa, sean o no contratos, son licencias del copyright que expiran si usted falla en el cumplimiento de sus términos.</p>
<p>Claridad y seguridad importantes dada por una Corte de EEUU de gran relevancia.” </p>
</em><p><em>Si solo quieres ver el texto de la sentencia sigue <a href="http://www.cafc.uscourts.gov/opinions/08-1001.pdf">este enlace</a><br/>
</em></p></blockquote></div>
    </content>
    <updated>2008-08-13T23:25:40Z</updated>
    <category term="Creative Commons"/>
    <category term="Lessig"/>
    <category term="Software Libre"/>
    <category term="sentencia"/>
    <author>
      <name>co</name>
    </author>
    <source>
      <id>http://co.creativecommons.org</id>
      <link href="http://co.creativecommons.org/feed/" rel="self" type="application/atom+xml"/>
      <link href="http://co.creativecommons.org" rel="alternate" type="text/html"/>
      <link href="http://creativecommons.org/licenses/by/2.5/co/" rel="license"/>
      <subtitle>Las actividades de Creative Commons en Colombia</subtitle>
      <title>Creative Commons Colombia</title>
      <updated>2008-08-16T10:49:33Z</updated>
    </source>
  </entry>

  <entry xml:lang="en">
    <id>http://www.karisma.org.co/carobotero/index.php/2008/08/13/corte-en-eeuu-%c2%a1las-licencias-libres-son-validas/</id>
    <link href="http://www.karisma.org.co/carobotero/index.php/2008/08/13/corte-en-eeuu-%c2%a1las-licencias-libres-son-validas/" rel="alternate" type="text/html"/>
    <title>Corte en EEUU: ¡Espaldarazo a las licencias libres!</title>
    <summary>Traducido del blog de Lessig:

“Gran e importante noticia: Licencias libres ratificadas
Para los que no son “geeks” del derecho esto puede no ser importante. Pero, créanme, es grande.
Estoy muy orgulloso de reportarles hoy que la Corte de Apelación para el Circuito Federal (LA  corte para Propiedad Intelectual en los EEUU) ha ratificado una licencia libre [...]</summary>
    <content type="xhtml"><div xmlns="http://www.w3.org/1999/xhtml"><p><a href="http://lessig.org/blog/2008/08/huge_and_important_news_free_l.html">Traducido del blog de Lessig</a>:</p>
<blockquote><p><em><br/>
<strong>“Gran e importante noticia: Licencias libres ratificadas</strong></em></p><em>
<p>Para los que no son “geeks” del derecho esto puede no ser importante. Pero, créanme, es grande.</p>
<p>Estoy muy orgulloso de reportarles hoy que la Corte de Apelación para el Circuito Federal (LA  corte para Propiedad Intelectual en los EEUU) ha ratificado una <a href="http://www.cafc.uscourts.gov/opinions/08-1001.pdf">licencia libre del copyright (ok, la llaman “open source”- “código abierto”)</a>, explícitamente señalando el trabajo de Creative Commons y otros. (La licencia específica en cuestión fue la <a href="http://www.opensource.org/licenses/artistic-license.php">Artistic License</a>). Esta es una importante victoria y yo estoy muy muy contento del papel central del <a href="http://cyberlaw.stanford.edu/">Stanford Center for Internet and Society</a> en su consecución. Felicidades especialmente a <a href="http://cyberlaw.stanford.edu/profile/chris-ridder">Chris Ridder</a> y <a href="http://cyberlaw.stanford.edu/profile/anthony-falzone">Anthony Falzone</a> en este Centro.</p>
<p>En términos no-técnicos, la Corte sostuvo que las licencias libres, como las licencias CC, establecen condiciones (más que pactos) para el uso de trabajos sujetos al Copyrigth (derecho de autor). Cuando usted viola la condición, la licencia desaparece, lo que significa que usted es simplemente un infractor del copyright. Esta es la teoría de la GPL y de todas las licencias CC. Dicho en forma más precisa, sean o no contratos, son licencias del copyright que expiran si usted falla en el cumplimiento de sus términos.</p>
</em><p><em>Claridad y seguridad importantes dadas por una Corte de EEUU de gran relevancia.”</em>
</p></blockquote>
<p>Si solo quieres ver el texto de la sentencia sigue <a href="http://www.cafc.uscourts.gov/opinions/08-1001.pdf">este enlace</a></p>
<p>Actualización agosto 19/08. Una interesante <a href="http://www.eff.org/deeplinks/2008/08/condition-or-covenant-and-why-should-you-care">explicación de la EFF</a></p></div>
    </content>
    <updated>2008-08-13T23:15:32Z</updated>
    <category term="Creative Commons"/>
    <category term="Decision Judicial"/>
    <category term="LibreCultura"/>
    <category term="Licencias copyleft"/>
    <category term="Redise&#xF1;o de la Propiedad Intelectual"/>
    <category term="Software libre"/>
    <category term="Textos amigos"/>
    <author>
      <name>carobotero</name>
    </author>
    <source>
      <id>http://www.karisma.org.co/carobotero</id>
      <link href="http://www.karisma.org.co/carobotero" rel="alternate" type="text/html"/>
      <link href="http://feeds.feedburner.com/carobotero" rel="self" type="application/rss+xml"/>
      <subtitle>Ideas de mi viaje por internet en temas de LibreCultura, derecho y nuevas tecnologías. Carta de navegación desde la América Meridional.</subtitle>
      <title>carobotero-co</title>
      <updated>2008-08-19T12:31:27Z</updated>
    </source>
  </entry>

  <entry xml:lang="en">
    <id>http://creativecommons.org/?p=8825</id>
    <link href="http://creativecommons.org/weblog/entry/8825" rel="alternate" type="text/html"/>
    <title>CC Salon LA (9/3/08): Xeni Jardin and GOOD Magazine</title>
    <summary>For those who will be missing out on tonight’s amazing CC Salon SF, we have some good news (if you are based in LA) - we are ecstatic to announce that the CC Salon LA continues next month (9/3/08) with an amazing duo of presenters - joining us will be Xeni Jardin, Tech Culture Journalist [...]</summary>
    <content type="xhtml"><div xmlns="http://www.w3.org/1999/xhtml"><p><img alt="" class="alignnone size-full wp-image-8376" height="111" src="http://creativecommons.org/wp-content/uploads/2008/06/creativecommons.jpg" width="500"/></p>
<p>For those who will be missing out on <a href="http://creativecommons.org/weblog/entry/8817">tonight’s amazing CC Salon SF</a>, we have some good news (if you are based in LA) - we are ecstatic to announce that the <a href="http://wiki.creativecommons.org/Los_Angeles_Salon">CC Salon LA</a> continues next month (9/3/08) with an <strong>amazing duo</strong> of presenters - joining us will be <a href="http://xeni.net/">Xeni Jardin</a>, Tech Culture Journalist and co-editor at <a href="http://www.boingboing.net/">Boing Boing</a>, and <a href="http://www.goodmagazine.com/user/casey">Casey Caplowe</a>, Creative Director of <a href="http://www.goodmagazine.com/">GOOD Magazine</a>.</p>
<p>Both will discuss how CC, and ‘openness’ in general, has been employed in <a href="http://www.boingboing.net/">their</a> <a href="http://tv.boingboing.net/">respective</a> <a href="http://www.goodmagazine.com/">undertakings</a>, touching on the the successes they have had as well as obstacles they have had to overcome, specifically in regards to traditional and non-traditional journalism. Both will be available for Q&amp;A after their presentations. </p>
<p>The Salon will be taking place at the always wonderful <a href="http://www.foundla.com/">FOUND LA</a> (<a href="http://maps.google.com/maps?q=1903+Hyperion+Ave,+Los+Angeles,+CA+90027,+USA&amp;sa=X&amp;oi=map&amp;ct=title">Google map</a>) between 7:30PM - 9:30PM. Follow the event on <a href="http://upcoming.yahoo.com/event/1008875/?ps=7">Upcoming</a>, mark attending on <a href="http://www.new.facebook.com/event.php?eid=23479200834">Facebook</a>, and make sure to come down and hear from two exemplary members of the CC community on their experiences with open licensing. As always, there will be free (as in beer) drinks for the entire night.</p></div>
    </content>
    <updated>2008-08-13T21:24:38Z</updated>
    <category term="Weblog"/>
    <author>
      <name>Cameron Parkins</name>
    </author>
    <source>
      <id>http://creativecommons.org</id>
      <link href="http://creativecommons.org/weblog/rss" rel="self" type="application/atom+xml"/>
      <link href="http://creativecommons.org" rel="alternate" type="text/html"/>
      <subtitle>Share, reuse, and remix — legally.</subtitle>
      <title>Creative Commons » CC News</title>
      <updated>2008-08-20T17:40:03Z</updated>
    </source>
  </entry>

  <entry xml:lang="en">
    <id>http://creativecommons.org/?p=8817</id>
    <link href="http://creativecommons.org/weblog/entry/8817" rel="alternate" type="text/html"/>
    <title>San Francisco Salon is Tonight</title>
    <summary>Don’t forget to come out to the CC Salon in San Francisco tonight!
The lineup features a screening of a CC-licensed film from Arts Engine, Inc. along with our own Eric Steuer who will di